| No. |
�¤•i–¼ |
’P‰¿(‰~) |
’˜ŽÒ/•ÒŽÒ |
�o”ÅŽÐ |
�à–¾ |
‚©‚²‚Ö |
| N_P_001 |
ƒqƒ}ƒ‰ƒ„‚ÌŽ›‰@�@ƒlƒp�[ƒ‹�E–kƒCƒ“ƒh�E’†�‘‚Ì�@‹³Œš’z |
3,200 |
�²“¡�³•F/’˜ |
Ž“‡�o”ʼnï |
ƒJƒo�[�@�¬Œû�‰˜‚ê�@2012 |
�w“ü |
| N_P_002 |
Žá‹·‚̌Λ”ü�p |
2,500 |
‘q“c•¶�ì/ŠÄ�C |
Ž„‰Æ”Å |
“ñ�d”Ÿ�@—A‘—”ŸƒCƒ^ƒ~�@“à”Ÿ�ƒVƒ~�@ƒn�[ƒhƒJƒo�[�@ŽO•û�ƒVƒ~�@1983 |
�w“ü |
| N_P_003 |
’´�‚‘w‘å•§‚ð‚‚‚é |
3,000 |
‰i“c—Ç•v/•Ò’˜ |
Ž“‡�o”ʼnï |
ƒJƒo�[�@‘Ñ�@“V�E�¬Œû”–ƒVƒ~�@1994 |
�w“ü |
| N_Q_001 |
ƒRƒ“ƒeƒ“ƒ|ƒ‰ƒŠ�[�@ƒWƒ…ƒGƒŠ�[�@�¢ŠE‚̃Wƒ…ƒGƒŠ�[ƒA�[ƒeƒBƒXƒg�@�㉺2�ûƒZƒbƒg |
2,500 |
�…–ì�F•F/’˜ |
”ü�p�o”ÅŽÐ |
2�û‹¤ƒJƒo�[�@2007 |
�w“ü |
| N_Q_002 |
ƒrƒ‹ƒhƒAƒbƒv�EƒeƒNƒjƒbƒN–@‚É‚æ‚éƒ�ƒXƒgƒ�ƒbƒNƒX�EƒWƒ…ƒGƒŠ�[ƒ��[ƒLƒ“ƒO |
2,200 |
ƒ~ƒmƒ‹ƒAƒUƒ}/’˜ |
”��‘“X�¼Œ´ |
ƒJƒo�[�ƒ„ƒP�@1999 |
�w“ü |
| N_Q_003 |
‰p�jƒWƒƒƒ“�EƒoƒeƒBƒXƒ^�Eƒ”ƒ@ƒŠ�yGiAM BATTiSTA VALLi�z |
5,000 |
�@ |
Rizzoli |
ƒn�[ƒhƒJƒo�[�@2013 |
�w“ü |
| N_U_001 |
‰iˆäGO“W |
2,400 |
‰iˆä�‹/Œ´’˜ |
‘å�ã•¶‰»ŠÙ�E“V•ÛŽR�A�ã–ì‚Ì�X”ü�pŠÙ |
‰æ‹Æ50”N�h“Ë”j�h‹L”O�@ƒ\ƒtƒgƒJƒo�[�@2018 |
�w“ü |
| N_U_002 |
“®•¨‚݂͂ñ‚È�æ�¶ |
3,300 |
•�ˆä•�—Y/‰æ |
’†‰›Œö˜_ŽÐ |
”Ÿ�ƒ„ƒP�A�‰˜‚ê�@ƒn�[ƒhƒJƒo�[�@1962 |
�w“ü |
| A_001 |
‚‚·‚蔎•¨ŠÙŽû‘ �@Ž‘—¿�W4�@‚Í‚â‚è•a‚̋ъG |
2,500 |
ˆÉ“¡‹±Žq/•Ò |
“à“¡‹L”O‚‚·‚蔎•¨ŠÙ |
ƒ\ƒtƒgƒJƒo�[�@�}”Å111“_�@2001 |
�w“ü |
| A_002 |
ƒjƒbƒ|ƒ“‚̉æ‹S�@àÍ�X‹¶�Ö“` |
2,800 |
•Ÿ•x‘¾˜Y |
‰æ•¶“° |
ƒ\ƒtƒgƒJƒo�[�@•\ކ”–ƒ„ƒP�A�‰˜�A”w�ã•”�ƒCƒ^ƒ~�@•Ê�ü�u�}”ʼnð�à�@’ÇŽ§‚Æ•â’ù�v•t�@ŒÀ’è800•”‚Ì“à1”Ô�@1969 |
�w“ü |
| A_003 |
ƒsƒG�[ƒ‹�EƒZƒ‹ƒl�•�t‰æ“W |
1,500 |
�@ |
ƒVƒƒƒlƒ‹ƒlƒNƒTƒXƒz�[ƒ‹ |
”Ÿ�@ƒn�[ƒhƒJƒo�[�@2019 |
�w“ü |
| A_004 |
ˆÉ�jƒWƒFƒmƒ”ƒ@�EƒLƒˆƒbƒ\�[ƒl”Ž•¨ŠÙ�@•‚�¢ŠG”ʼnæ�@�yDipinti e stampe del Mondo Fluttuante Capolavori Ukiyoe del Museo Chiossone di Genova�z |
2,000 |
Donatella Failla |
SKIRA |
ƒJƒo�[�@ƒn�[ƒhƒJƒo�[256•Å�@•\ކŠpƒAƒ^ƒŠ�@2005 |
�w“ü |
| A_005 |
ˆÉ�j�‘–F‰æ�W�@�yKUNIYOSHI Il visionario del Mondo Fluttuante�z |
5,000 |
�@ |
SKIRA |
ƒn�[ƒhƒJƒo�[215•Å�@2017 |
�w“ü |
| A_006 |
‰Y�ã‹Ê“°‰æ•ˆ�@‘æ1�S�E‘æ2�S�E‘æ3�S�@‘S3›ã�@�i�}”Å•s‘µ�j |
25,000 |
�@ |
’†‰›Œö˜_”ü�p�o”Å |
‘S�S›ãƒVƒ~�@‘æ1�S14�`19�A21�`52�A79�`91�}Œ‡�@‘æ3�S214�`216�A218�`226�}Œ‡�@Še�S1�}–ڂɃVƒ~�A�”–‡‘䎆‚É�ƒVƒ~—L�@•Ê�û�i–}—á�E�ì•i–ÚŽŸ�Eˆó•ˆ�EŽQ�lŽ‘—¿�E”N•ˆ�j1�û•t�@1979 |
�w“ü |
| A_007 |
‰Y�ã‹Ê“°‰æ•ˆ�@‘æ1�S�E‘æ2�S�E‘æ3�S�@‘S3›ã�@�}”Å‘µ |
85,000 |
�@ |
’†‰›Œö˜_”ü�p�o”Å |
‘S�}”Å‘µ�@‘S�S—A‘—”Ÿ‚Æ›ã�ƒVƒ~�@•Ê�û�i–}—á�E�ì•i–ÚŽŸ�Eˆó•ˆ�EŽQ�lŽ‘—¿�E”N•ˆ�j1�û•t�@1979 |
�w“ü |
| A_008 |
‰p�j�_�â�á‰À�@�yKAMISAKA SEKKA�z |
4,300 |
Khanh Trinh/•Ò |
ART GALLERY of New South Wales |
ƒJƒo�[�@ƒn�[ƒhƒJƒo�[192•Å�@2012 |
�w“ü |
| A_009 |
‰p�j–F”N�@”ü�l‰æ‚ƃoƒCƒIƒŒƒ“ƒX�@�yBeauty & Violence Japanese prints by Yoshitoshi 1839-1892�z |
5,000 |
�@ |
Society for Japanese Arts |
ƒ\ƒtƒgƒJƒo�[168•Å�@•\ކ�ƒCƒ^ƒ~�@–{‘ÌŠp�”½‚è�@�Å�I•łɑ ˆó—L‚è�@1992 |
�w“ü |
| A_010 |
‰p�j–LŒ´�‘Žü�yTime present and time past Images of a forgotten master Toyohara Kunichika 1835-1900�z |
19,000 |
�@ |
Hotei Publishing |
ƒJƒo�[�@175•Å�@1999 |
�w“ü |
| A_011 |
‰p�j–k�Ö‚ÌŠG‰æ�yHokusai Paintings Selected Essays�z |
4,900 |
�@ |
University of VENICE |
ƒJƒo�[”w�ƒ„ƒP�A�ƒCƒ^ƒ~�@ŽO•û�ƒ„ƒP�A’n�ƒVƒ~�@1994 |
�w“ü |
| A_012 |
‰p�j–{ˆ¢–íŒõ‰x‚ÌŒ|�p�yTHE ARTS OF HON'AMI KOETSU�z |
3,200 |
�@ |
PHILADELPHIA MUSEUM OF ART |
ƒJƒo�[‚É�ƒˆƒŒ�A�ƒCƒ^ƒ~�A•”•ª“I‚Ƀ„ƒP�@‘OŒ©•Ô‚µ‚É�Ü‚ê�Õ—L‚è�@2000 |
�w“ü |
| A_013 |
‰~ŽR‰ž‹“˜_ |
4,000 |
—â�òˆ×�l/’˜ |
Žv•¶Št�o”Å |
”Ÿ�@ƒJƒo�[�@•Ê�û•�˜^•t‚«�@2017 |
�w“ü |
| A_014 |
‰¢•ÄŽû‘ “ú–{ŠG‰æ�W�¬�@�ÝŠO”é•ó�@•§‹³ŠG‰æ�E‘å˜aŠG�E�…–n‰æ |
5,000 |
“‡“c�CŽO˜Y/•Ò |
Šw�KŒ¤‹†ŽÐ |
—A‘—”Ÿ�ƒXƒŒ�AƒCƒ^ƒ~—L�@›ã“ü�@’艿36000‰~�@1969 |
�w“ü |
| A_015 |
Šâ�²–”•º‰qŠGŠª�@ŽR’†�í”Õ•¨ŒêŠGŠª/–x�]•¨ŒêŠGŠª/�ò—Ú—ž•¨ŒêŠGŠª |
2,500 |
MOA”ü�pŠÙ/•Ò |
ƒGƒ€ƒI�[ƒG�[�¤Ž– |
ƒJƒo�[�@�º61 |
�w“ü |
| A_016 |
‹ÉŠyŠG |
16,000 |
‹àŽqŒjŽO/ŽÊ�^�@�^•Û‹œ/ŠÄ�C�E•¶ |
–ˆ“ú�V•·ŽÐ |
“ñ�d”Ÿ�@ŒÀ’è1200•”�@’艿5–œ‰~�@ŠO”Ÿ‚ɃCƒ^ƒ~�@1977 |
�w“ü |
| A_017 |
‹ß�]‚Ì�á•ljæ |
2,900 |
�ΊÛ�³‰^�Aˆé”Ž/’˜ |
‹ž“s�‘‰@ |
“ñ�d” �@’艿48000‰~�@�º56 |
�w“ü |
| A_018 |
‹ß�¢•—‘�}•ˆ1�@”N’†�sŽ– |
3,000 |
—щ®’CŽO˜Y |
�¬ŠwŠÙ |
“ñ�d”Ÿ�@–{‘ÌŽO•û�ƒ„ƒP�@ŒŽ•ñ•t�@’艿18000‰~�@1983 |
�w“ü |
| A_019 |
‹ß�¢•—‘�}•ˆ12�@�E�l |
0 |
—щ®’CŽO˜Y |
�¬ŠwŠÙ |
�y”„�Ø‚ê�z“ñ�d”Ÿ�@–{‘ÌŽO•û�ƒ„ƒP�@ŒŽ•ñ•t�@’艿18000‰~�@1983 |
�w“ü |
| A_020 |
‹ß�¢•—‘�}•ˆ3�@—Œ’†—ŒŠO�i1�j |
3,200 |
—щ®’CŽO˜Y |
�¬ŠwŠÙ |
“ñ�d”Ÿ�@–{‘ÌŽO•û�ƒ„ƒP�@ŒŽ•ñ•t�@’艿18000‰~�@1983 |
�w“ü |
| A_021 |
ŒŒ‚̔ӎ`�@‘å‘h–F”N‚ÌåY�p |
17,000 |
�@ |
”Ô’¬�‘–[ |
—A‘—”Ÿ‰˜‚ê�@”Ÿƒ„ƒP�@›ã�@•Ê�û•t�@’艿30000‰~�@ŒÀ’è1200•”�@1971 |
�w“ü |
| A_022 |
ŒŽ‰ª–F”N‰æ�W |
16,000 |
�£–Ø�Tˆê/•Ò |
�u’kŽÐ |
”ŸƒCƒ^ƒ~�A”wƒ„ƒP�@�}”Å203“_�@143•Å�@1978 |
�w“ü |
| A_023 |
ŒÃ•MŽèŠÓ‚Ɖ撟‚Ì–¼•i�@‹ß�¢“ú–{‚̃A�[ƒg�EƒAƒ‹ƒoƒ€ |
1,800 |
�@ |
ƒTƒ“ƒgƒŠ�[”ü�pŠÙ |
�}˜^�@ƒ\ƒtƒgƒJƒo�[�@2001 |
�w“ü |
| A_024 |
Œä‰¾‘�ŽqŠGŠª |
9,000 |
‰œ•½‰p—Y/•Ò |
Šp�ì�‘“X |
”Ÿ�@ƒJƒo�[ŽC‚ê�@ŒÀ’è”Å�@’艿24000‰~�@1982 |
�w“ü |
| A_025 |
Œä•¨ãÚ�¬�@‘S4Šª‘µ |
10,000 |
‹{“à’¡Ž˜�]�E/•Ò |
’©“ú�V•·ŽÐ |
“ñ�d”Ÿ�@”à•Å‚É��¯ƒVƒ~�@ŠG‰æ1�EŠG‰æ2�E�‘�Õ1�E�‘�Õ2�@ŠeŠª•Ê�û‰ð�à•t‚«�@1978 |
�w“ü |
| A_026 |
Œõ‰x |
9,000 |
—щ®’CŽO˜Y/’˜ |
‘æˆê–@‹K�o”Å |
”ŸŒo”N‚̃„ƒP�AƒVƒ~�A�ƒLƒY�@–{‘Ì”wƒ„ƒP�@1972 |
�w“ü |
| A_027 |
Œõ—Ô•S�}�@‘S4�û‘µ |
4,500 |
’†‘ºŒk’j/‰ð�à |
Šâ�è”ü�pŽÐ |
ŠO”ŸŒ‡�@˜a–{4�û›ã“ü�@‰ð�à–{•t�@�@1981 |
�w“ü |
| A_028 |
�]ŒË‚ÌŠG‰æ�@A Kaleidoscope of Painting Styles Essays on Edo Period Paintings |
23,000 |
�¬—Ñ’‰/’˜ |
åY‰Ø�‘‰@ |
”Ÿ�‰˜�@ƒJƒ‰�[�}”Å103“_�@ŽQ�l�}”Å203“_�@584•Å�@2010 |
�w“ü |
| A_029 |
�]ŒË‚ÌŠGŽt�u•é‚炵‚Ɖ҂¬�v |
1,500 |
ˆÀ‘º•q�M/’˜ |
�¬ŠwŠÙ |
ƒJƒo�[�@�Å�I•Å�Ü‚ê�Õ—L�@2008 |
�w“ü |
| A_030 |
�]ŒË‚ÌŠG—ï |
3,200 |
‰ª“c–F˜N |
‘å�CŠÙ�‘“X |
ƒJƒo�[�@‘Ñ�@2006 |
�w“ü |
| A_031 |
�]ŒË‚Ì—m‰æ‰Æ |
2,600 |
�¬–ì’‰�d/’˜ |
ŽO�ÊŽÐ |
”Ÿ�ƒ„ƒP�@ŽO•û�ƒ„ƒP�@ŒÀ’è1000•”�@1968 |
�w“ü |
| A_032 |
�]ŒË�ØŠG�}�W�¬‘æ1Šª�@‹g•¶Žš‰®”Â�@�V•Ò�]ŒËˆÀŒ©�} |
2,500 |
�Ä“¡’¼�¬/•Ò |
’†‰›Œö˜_ŽÐ |
”Ÿ�ƒCƒ^ƒ~�@1981 |
�w“ü |
| A_033 |
�‘‰Ø�@‘æ31�† |
1,800 |
�@ |
𠉨ŽÐ |
–ؔœü�@B4”Å�@–¾25 |
�w“ü |
| A_034 |
�‘‰Ø�@‘æ37�† |
1,800 |
�@ |
𠉨ŽÐ |
–ؔœü�@•\ކ‰��ƒCƒ^ƒ~�@B4”Å�@–¾25 |
�w“ü |
| A_035 |
�‘‰Ø�@‘æ38�† |
1,800 |
�@ |
𠉨ŽÐ |
–ؔœü�@B4”Å�@–¾25 |
�w“ü |
| A_036 |
�‘‰Ø�@‘æ39�† |
1,800 |
�@ |
𠉨ŽÐ |
–ؔœü�@B4”Å�@–¾25 |
�w“ü |
| A_037 |
�‘‰Ø�@‘æ40�† |
1,800 |
�@ |
𠉨ŽÐ |
–ؔœü�@•\ކ‰��ƒCƒ^ƒ~�@”wƒCƒ^ƒ~�@B4”Å�@–¾26 |
�w“ü |
| A_038 |
�‘‰Ø�@‘æ43�† |
1,800 |
�@ |
𠉨ŽÐ |
–ؔœü�@— •\ކ�ƒCƒ^ƒ~�i�Ø‚ê�j�@B4”Å�@–¾26 |
�w“ü |
| A_039 |
�‘‰Ø�@‘æ44�† |
1,800 |
�@ |
𠉨ŽÐ |
–ؔœü�@B4”Å�@–¾26 |
�w“ü |
| A_040 |
�‘‰Ø�@‘æ45�† |
1,800 |
�@ |
𠉨ŽÐ |
–ؔœü�@B4”Å�@–¾26 |
�w“ü |
| A_041 |
�‘‰Ø�@‘æ46�† |
1,800 |
�@ |
𠉨ŽÐ |
–ؔœü�@B4”Å�@–¾26 |
�w“ü |
| A_042 |
�‘‰Ø�@‘æ49�† |
1,800 |
�@ |
𠉨ŽÐ |
–ؔœü�@’Ô‚¶•RŒ‡�@B4”Å�@–¾26 |
�w“ü |