| No. |
¤•i–¼ |
’P‰¿(‰~) |
’˜ŽÒ/•ÒŽÒ |
o”ÅŽÐ |
à–¾ |
‚©‚²‚Ö |
| N_P_001 |
ƒqƒ}ƒ‰ƒ„‚ÌŽ›‰@@ƒlƒp[ƒ‹E–kƒCƒ“ƒhE’†‘‚Ì@‹³Œš’z |
3,200 |
²“¡³•F/’˜ |
Ž“‡o”ʼnï |
ƒJƒo[@¬Œû‰˜‚ê@2012 |
w“ü |
| N_P_002 |
Žá‹·‚̌Λ”üp |
2,500 |
‘q“c•¶ì/ŠÄC |
Ž„‰Æ”Å |
“ñd”Ÿ@—A‘—”ŸƒCƒ^ƒ~@“à”ŸƒVƒ~@ƒn[ƒhƒJƒo[@ŽO•ûƒVƒ~@1983 |
w“ü |
| N_P_003 |
’´‚‘w‘å•§‚ð‚‚‚é |
3,000 |
‰i“c—Ç•v/•Ò’˜ |
Ž“‡o”ʼnï |
ƒJƒo[@‘Ñ@“VE¬Œû”–ƒVƒ~@1994 |
w“ü |
| N_Q_001 |
ƒRƒ“ƒeƒ“ƒ|ƒ‰ƒŠ[@ƒWƒ…ƒGƒŠ[@¢ŠE‚̃Wƒ…ƒGƒŠ[ƒA[ƒeƒBƒXƒg@㉺2ûƒZƒbƒg |
2,500 |
…–ìF•F/’˜ |
”üpo”ÅŽÐ |
2û‹¤ƒJƒo[@2007 |
w“ü |
| N_Q_002 |
ƒrƒ‹ƒhƒAƒbƒvEƒeƒNƒjƒbƒN–@‚É‚æ‚郃XƒgƒƒbƒNƒXEƒWƒ…ƒGƒŠ[ƒ[ƒLƒ“ƒO |
2,200 |
ƒ~ƒmƒ‹ƒAƒUƒ}/’˜ |
”‘“X¼Œ´ |
ƒJƒo[ƒ„ƒP@1999 |
w“ü |
| N_Q_003 |
‰pjƒWƒƒƒ“EƒoƒeƒBƒXƒ^Eƒ”ƒ@ƒŠyGiAM BATTiSTA VALLiz |
5,000 |
@ |
Rizzoli |
ƒn[ƒhƒJƒo[@2013 |
w“ü |
| N_U_001 |
‰iˆäGO“W |
2,400 |
‰iˆä‹/Œ´’˜ |
‘åã•¶‰»ŠÙE“V•ÛŽRAã–ì‚ÌX”üpŠÙ |
‰æ‹Æ50”Nh“Ë”jh‹L”O@ƒ\ƒtƒgƒJƒo[@2018 |
w“ü |
| N_U_002 |
“®•¨‚݂͂ñ‚Èæ¶ |
3,300 |
•ˆä•—Y/‰æ |
’†‰›Œö˜_ŽÐ |
”Ÿƒ„ƒPA‰˜‚ê@ƒn[ƒhƒJƒo[@1962 |
w“ü |
| A_001 |
‚‚·‚蔎•¨ŠÙŽû‘ @Ž‘—¿W4@‚Í‚â‚è•a‚̋ъG |
2,500 |
ˆÉ“¡‹±Žq/•Ò |
“à“¡‹L”O‚‚·‚蔎•¨ŠÙ |
ƒ\ƒtƒgƒJƒo[@}”Å111“_@2001 |
w“ü |
| A_002 |
ƒjƒbƒ|ƒ“‚̉æ‹S@àÍX‹¶Ö“` |
2,800 |
•Ÿ•x‘¾˜Y |
‰æ•¶“° |
ƒ\ƒtƒgƒJƒo[@•\ކ”–ƒ„ƒPA‰˜A”wã•”ƒCƒ^ƒ~@•Êüu}”ʼnðà@’ÇŽ§‚Æ•â’ùv•t@ŒÀ’è800•”‚Ì“à1”Ô@1969 |
w“ü |
| A_003 |
ƒsƒG[ƒ‹EƒZƒ‹ƒl•t‰æ“W |
1,500 |
@ |
ƒVƒƒƒlƒ‹ƒlƒNƒTƒXƒz[ƒ‹ |
”Ÿ@ƒn[ƒhƒJƒo[@2019 |
w“ü |
| A_004 |
ˆÉjƒWƒFƒmƒ”ƒ@EƒLƒˆƒbƒ\[ƒl”Ž•¨ŠÙ@•‚¢ŠG”ʼnæ@yDipinti e stampe del Mondo Fluttuante Capolavori Ukiyoe del Museo Chiossone di Genovaz |
2,000 |
Donatella Failla |
SKIRA |
ƒJƒo[@ƒn[ƒhƒJƒo[256•Å@•\ކŠpƒAƒ^ƒŠ@2005 |
w“ü |
| A_005 |
ˆÉj‘–F‰æW@yKUNIYOSHI Il visionario del Mondo Fluttuantez |
5,000 |
@ |
SKIRA |
ƒn[ƒhƒJƒo[215•Å@2017 |
w“ü |
| A_006 |
‰Yã‹Ê“°‰æ•ˆ@‘æ1SE‘æ2SE‘æ3S@‘S3›ã@i}”Å•s‘µj |
25,000 |
@ |
’†‰›Œö˜_”üpo”Å |
‘SS›ãƒVƒ~@‘æ1S14`19A21`52A79`91}Œ‡@‘æ3S214`216A218`226}Œ‡@ŠeS1}–ڂɃVƒ~A”–‡‘䎆‚ɃVƒ~—L@•Êûi–}—áEì•i–ÚŽŸEˆó•ˆEŽQlŽ‘—¿E”N•ˆj1û•t@1979 |
w“ü |
| A_007 |
‰Yã‹Ê“°‰æ•ˆ@‘æ1SE‘æ2SE‘æ3S@‘S3›ã@}”Å‘µ |
85,000 |
@ |
’†‰›Œö˜_”üpo”Å |
‘S}”Å‘µ@‘SS—A‘—”Ÿ‚Æ›ãƒVƒ~@•Êûi–}—áEì•i–ÚŽŸEˆó•ˆEŽQlŽ‘—¿E”N•ˆj1û•t@1979 |
w“ü |
| A_008 |
‰pj_âá‰À@yKAMISAKA SEKKAz |
4,300 |
Khanh Trinh/•Ò |
ART GALLERY of New South Wales |
ƒJƒo[@ƒn[ƒhƒJƒo[192•Å@2012 |
w“ü |
| A_009 |
‰pj–F”N@”ül‰æ‚ƃoƒCƒIƒŒƒ“ƒX@yBeauty & Violence Japanese prints by Yoshitoshi 1839-1892z |
5,000 |
@ |
Society for Japanese Arts |
ƒ\ƒtƒgƒJƒo[168•Å@•\ކƒCƒ^ƒ~@–{‘ÌŠp”½‚è@ÅI•łɑ ˆó—L‚è@1992 |
w“ü |
| A_010 |
‰pj–LŒ´‘ŽüyTime present and time past Images of a forgotten master Toyohara Kunichika 1835-1900z |
19,000 |
@ |
Hotei Publishing |
ƒJƒo[@175•Å@1999 |
w“ü |
| A_011 |
‰pj–kÖ‚ÌŠG‰æyHokusai Paintings Selected Essaysz |
4,900 |
@ |
University of VENICE |
ƒJƒo[”wƒ„ƒPAƒCƒ^ƒ~@ŽO•ûƒ„ƒPA’nƒVƒ~@1994 |
w“ü |
| A_012 |
‰pj–{ˆ¢–íŒõ‰x‚ÌŒ|pyTHE ARTS OF HON'AMI KOETSUz |
3,200 |
@ |
PHILADELPHIA MUSEUM OF ART |
ƒJƒo[‚ɃˆƒŒAƒCƒ^ƒ~A•”•ª“I‚Ƀ„ƒP@‘OŒ©•Ô‚µ‚ÉÜ‚êÕ—L‚è@2000 |
w“ü |
| A_013 |
‰~ŽR‰ž‹“˜_ |
4,000 |
—âòˆ×l/’˜ |
Žv•¶Što”Å |
”Ÿ@ƒJƒo[@•Êû•˜^•t‚«@2017 |
w“ü |
| A_014 |
‰¢•ÄŽû‘ “ú–{ŠG‰æW¬@ÝŠO”é•ó@•§‹³ŠG‰æE‘å˜aŠGE…–n‰æ |
5,000 |
“‡“cCŽO˜Y/•Ò |
ŠwKŒ¤‹†ŽÐ |
—A‘—”ŸƒXƒŒAƒCƒ^ƒ~—L@›ã“ü@’艿36000‰~@1969 |
w“ü |
| A_015 |
Šâ²–”•º‰qŠGŠª@ŽR’†í”Õ•¨ŒêŠGŠª/–x]•¨ŒêŠGŠª/ò—Ú—ž•¨ŒêŠGŠª |
2,500 |
MOA”üpŠÙ/•Ò |
ƒGƒ€ƒI[ƒG[¤Ž– |
ƒJƒo[@º61 |
w“ü |
| A_016 |
‹ÉŠyŠG |
16,000 |
‹àŽqŒjŽO/ŽÊ^@^•Û‹œ/ŠÄCE•¶ |
–ˆ“úV•·ŽÐ |
“ñd”Ÿ@ŒÀ’è1200•”@’艿5–œ‰~@ŠO”Ÿ‚ɃCƒ^ƒ~@1977 |
w“ü |
| A_017 |
‹ß]‚Ìá•ljæ |
2,900 |
Ί۳‰^Aˆé”Ž/’˜ |
‹ž“s‘‰@ |
“ñd” @’艿48000‰~@º56 |
w“ü |
| A_018 |
‹ß¢•—‘}•ˆ1@”N’†sŽ– |
3,000 |
—щ®’CŽO˜Y |
¬ŠwŠÙ |
“ñd”Ÿ@–{‘ÌŽO•ûƒ„ƒP@ŒŽ•ñ•t@’艿18000‰~@1983 |
w“ü |
| A_019 |
‹ß¢•—‘}•ˆ12@El |
0 |
—щ®’CŽO˜Y |
¬ŠwŠÙ |
y”„Ø‚êz“ñd”Ÿ@–{‘ÌŽO•ûƒ„ƒP@ŒŽ•ñ•t@’艿18000‰~@1983 |
w“ü |
| A_020 |
‹ß¢•—‘}•ˆ3@—Œ’†—ŒŠOi1j |
3,200 |
—щ®’CŽO˜Y |
¬ŠwŠÙ |
“ñd”Ÿ@–{‘ÌŽO•ûƒ„ƒP@ŒŽ•ñ•t@’艿18000‰~@1983 |
w“ü |
| A_021 |
ŒŒ‚̔ӎ`@‘å‘h–F”N‚ÌåYp |
17,000 |
@ |
”Ô’¬‘–[ |
—A‘—”Ÿ‰˜‚ê@”Ÿƒ„ƒP@›ã@•Êû•t@’艿30000‰~@ŒÀ’è1200•”@1971 |
w“ü |
| A_022 |
ŒŽ‰ª–F”N‰æW |
16,000 |
£–ØTˆê/•Ò |
u’kŽÐ |
”ŸƒCƒ^ƒ~A”wƒ„ƒP@}”Å203“_@143•Å@1978 |
w“ü |
| A_023 |
ŒÃ•MŽèŠÓ‚Ɖ撟‚Ì–¼•i@‹ß¢“ú–{‚̃A[ƒgEƒAƒ‹ƒoƒ€ |
1,800 |
@ |
ƒTƒ“ƒgƒŠ[”üpŠÙ |
}˜^@ƒ\ƒtƒgƒJƒo[@2001 |
w“ü |
| A_024 |
Œä‰¾‘ŽqŠGŠª |
9,000 |
‰œ•½‰p—Y/•Ò |
Špì‘“X |
”Ÿ@ƒJƒo[ŽC‚ê@ŒÀ’è”Å@’艿24000‰~@1982 |
w“ü |
| A_025 |
Œä•¨ãÚ¬@‘S4Šª‘µ |
10,000 |
‹{“à’¡Ž˜]E/•Ò |
’©“úV•·ŽÐ |
“ñd”Ÿ@”à•łɯƒVƒ~@ŠG‰æ1EŠG‰æ2E‘Õ1E‘Õ2@ŠeŠª•Êû‰ðà•t‚«@1978 |
w“ü |
| A_026 |
Œõ‰x |
9,000 |
—щ®’CŽO˜Y/’˜ |
‘æˆê–@‹Ko”Å |
”ŸŒo”N‚̃„ƒPAƒVƒ~AƒLƒY@–{‘Ì”wƒ„ƒP@1972 |
w“ü |
| A_027 |
Œõ—Ô•S}@‘S4û‘µ |
4,500 |
’†‘ºŒk’j/‰ðà |
Šâè”üpŽÐ |
ŠO”ŸŒ‡@˜a–{4û›ã“ü@‰ðà–{•t@@1981 |
w“ü |
| A_028 |
]ŒË‚ÌŠG‰æ@A Kaleidoscope of Painting Styles Essays on Edo Period Paintings |
23,000 |
¬—Ñ’‰/’˜ |
åY‰Ø‘‰@ |
”Ÿ‰˜@ƒJƒ‰[}”Å103“_@ŽQl}”Å203“_@584•Å@2010 |
w“ü |
| A_029 |
]ŒË‚ÌŠGŽtu•é‚炵‚Ɖ҂¬v |
1,500 |
ˆÀ‘º•qM/’˜ |
¬ŠwŠÙ |
ƒJƒo[@ÅI•ÅÜ‚êÕ—L@2008 |
w“ü |
| A_030 |
]ŒË‚ÌŠG—ï |
3,200 |
‰ª“c–F˜N |
‘åCŠÙ‘“X |
ƒJƒo[@‘Ñ@2006 |
w“ü |
| A_031 |
]ŒË‚Ì—m‰æ‰Æ |
2,600 |
¬–ì’‰d/’˜ |
ŽOÊŽÐ |
”Ÿƒ„ƒP@ŽO•ûƒ„ƒP@ŒÀ’è1000•”@1968 |
w“ü |
| A_032 |
]ŒËØŠG}W¬‘æ1Šª@‹g•¶Žš‰®”Â@V•Ò]ŒËˆÀŒ©} |
2,500 |
Ä“¡’¼¬/•Ò |
’†‰›Œö˜_ŽÐ |
”ŸƒCƒ^ƒ~@1981 |
w“ü |
| A_033 |
‘‰Ø@‘æ31† |
1,800 |
@ |
𠉨ŽÐ |
–ؔœü@B4”Å@–¾25 |
w“ü |
| A_034 |
‘‰Ø@‘æ37† |
1,800 |
@ |
𠉨ŽÐ |
–ؔœü@•\ކ‰ƒCƒ^ƒ~@B4”Å@–¾25 |
w“ü |
| A_035 |
‘‰Ø@‘æ38† |
1,800 |
@ |
𠉨ŽÐ |
–ؔœü@B4”Å@–¾25 |
w“ü |
| A_036 |
‘‰Ø@‘æ39† |
1,800 |
@ |
𠉨ŽÐ |
–ؔœü@B4”Å@–¾25 |
w“ü |
| A_037 |
‘‰Ø@‘æ40† |
1,800 |
@ |
𠉨ŽÐ |
–ؔœü@•\ކ‰ƒCƒ^ƒ~@”wƒCƒ^ƒ~@B4”Å@–¾26 |
w“ü |
| A_038 |
‘‰Ø@‘æ43† |
1,800 |
@ |
𠉨ŽÐ |
–ؔœü@— •\ކƒCƒ^ƒ~iØ‚êj@B4”Å@–¾26 |
w“ü |
| A_039 |
‘‰Ø@‘æ44† |
1,800 |
@ |
𠉨ŽÐ |
–ؔœü@B4”Å@–¾26 |
w“ü |
| A_040 |
‘‰Ø@‘æ45† |
1,800 |
@ |
𠉨ŽÐ |
–ؔœü@B4”Å@–¾26 |
w“ü |
| A_041 |
‘‰Ø@‘æ46† |
1,800 |
@ |
𠉨ŽÐ |
–ؔœü@B4”Å@–¾26 |
w“ü |
| A_042 |
‘‰Ø@‘æ49† |
1,800 |
@ |
𠉨ŽÐ |
–ؔœü@’Ô‚¶•RŒ‡@B4”Å@–¾26 |
w“ü |