| No. |
�¤•i–¼ |
’P‰¿(‰~) |
’˜ŽÒ/•ÒŽÒ |
�o”ÅŽÐ |
�à–¾ |
‚©‚²‚Ö |
| M_121 |
‰p�jƒtƒBƒŠƒbƒv�EƒgƒŒƒ_ƒmŽÊ�^�W�@”j’]‚µ‚½‰ïŽÐ�@�yBANKRUPT�z |
4,000 |
Phillip Toledano |
TWIN PALMS PUBLISHERS |
‰¡‘å”»�i–ñ34.5�~46cm�j�@ƒn�[ƒhƒJƒo�[�@•\ކƒXƒŒ�AŽl‹÷ƒLƒY�AƒCƒ^ƒ~—L‚è�@2004 |
�w“ü |
| M_122 |
‰p�jƒuƒ‹�[ƒX�EƒMƒ‹ƒfƒ“ŽÊ�^�W�@ƒS�[�@�yGo�z |
16,000 |
Bruce Gilden |
Trebrunk Publishing |
ƒn�[ƒhƒJƒo�[�@”w�”j‚ê�‰˜�@88•Å�@2002 |
�w“ü |
| M_123 |
‰p�jƒuƒ‹�[ƒX�Eƒfƒ”ƒBƒbƒhƒ\ƒ“ŽÊ�^�W�@ƒ�ƒXƒAƒ“ƒWƒFƒ‹ƒX1964�yBRUCE DAVIDSON LOS ANGELES 1964�z |
15,000 |
Bruce Davidson�^ŽÊ�^ |
STEIDL |
ƒn�[ƒhƒJƒo�[�@2015 |
�w“ü |
| M_124 |
‰p�jƒwƒŒƒ“�EƒŒƒ”ƒBƒbƒgŽÊ�^�W�@�yCROSSTOWN�z |
9,800 |
HEKEN LEVITT |
powerHouse Books |
ƒn�[ƒhƒJƒo�[�@2001 |
�w“ü |
| M_125 |
‰p�jƒwƒ“ƒŠ�[�Eƒ‹�[ƒgƒ�ƒCƒ‰�[ŽÊ�^�W�@N.Y. ƒVƒeƒBƒoƒŒƒG’c�@�yBallet�z |
9,000 |
Henry Leutwyler |
Steidl |
‘Ñ�@ƒTƒCƒ““ü�@‘æ2”Å�@2015 |
�w“ü |
| M_126 |
‰p�jƒzƒ‹ƒXƒgŽÊ�^�W�@ƒtƒHƒ‹ƒ€�@�yFORM�z |
5,000 |
HORST |
twelvetrees press |
ƒJƒo�[•\–Ê�ƒCƒ^ƒ~�@1992 |
�w“ü |
| M_127 |
‰p�jƒ}�[ƒN�EƒŒƒ_�[ŽÊ�^�W�@�yMallorca-Island in Progress�z |
1,800 |
Mark Rader |
Nazraeli Press |
ƒJƒo�[�@2007 |
�w“ü |
| M_128 |
‰p�jƒ}ƒCƒPƒ‹�EƒhƒEƒFƒbƒNŽÊ�^�W�@�yTHE END MONTAUK, N.Y.�z |
28,000 |
MICHAEL DWECK |
Ditch Plains Press |
ƒJƒo�[�@‘Ñ�@ƒn�[ƒhƒJƒo�[�@ƒTƒCƒ““ü‚è�@2015 |
�w“ü |
| M_129 |
‰p�jƒ}ƒCƒPƒ‹�Eƒ}�[ƒgƒ“ŽÊ�^�W�@ƒ_�[ƒN�Eƒ‰ƒCƒg�yDark Light�z |
2,300 |
Michael Martone |
Lustrum Press |
ƒ\ƒtƒgƒJƒo�[�@•\ކ�ƒ„ƒP�ƒVƒ~�@”w‰º•”ƒCƒ^ƒ~�@“V�E�¬Œû�ƒ„ƒP�‰˜�@1973 |
�w“ü |
| M_130 |
‰p�jƒ}ƒbƒg�Eƒ}ƒnƒŠƒ“ŽÊ�^�W�yMATT MAHURIN PHOTOGRAPHS�z |
5,000 |
�@ |
TWELVETREE PRESS |
ƒJƒo�[”w”–ƒ„ƒP�@ŽO•û”–ƒ„ƒP�@1989 |
�w“ü |
| M_131 |
‰p�jƒ}ƒŠ�[�EƒGƒŒƒ“�Eƒ}�[ƒNŽÊ�^�W�@ƒ{ƒ“ƒxƒC‚Ì�©•w‚½‚¿ |
5,000 |
MARY ELLEN MARK |
ALFRED A. KNOPF |
ƒ\ƒtƒgƒJƒo�[�@1981 |
�w“ü |
| M_132 |
‰p�jƒŠ�[�EƒtƒŠ�[ƒhƒ‰ƒ“ƒ_�[ŽÊ�^�W�@�yLEE FRIEDLANDER PHOTOGRAPHS�z |
14,000 |
�@ |
Haywire Press |
ƒn�[ƒhƒJƒo�[�@•\ކ�EŽO•û�E–{•¶—]”’‚ɃVƒ~—L‚é‚à�}”łɉe‹¿–³‚µ�@1978 |
�w“ü |
| M_133 |
‰p�jƒŠƒ`ƒƒ�[ƒh�EƒvƒŠƒ“ƒX�ì•i�W�@�yCHECK PAINTINGS�z |
13,000 |
Richard Prince |
GAGOSIAN GALLERY |
“V�ƒVƒ~�@2005 |
�w“ü |
| M_134 |
‰p�jƒŠƒ`ƒƒ�[ƒh�EƒvƒŠƒ“ƒX�‰Šú�ì•i�W�@�yRICHARD PRINCE EARLY PHOTOGRAPHS 1977-1979�z |
0 |
Richard Prince |
SKARSTEDT FINE ART |
�y”„�Ø‚ê�zƒn�[ƒhƒJƒo�[�@2001 |
�w“ü |
| M_135 |
‰p�jƒ‹ƒl�EƒuƒŠŽÊ�^�W�@77‚ÌŠï–‚ÈŠ´Šo�@�y77 STRANGE SENSATION�z |
5,000 |
RENE BURRI |
EDITION DINO SIMONETT |
ƒn�[ƒhƒJƒo�[�@1998 |
�w“ü |
| M_136 |
‰p�jƒ��[�EƒAƒXƒŠƒbƒWŽÊ�^�W�@ƒTƒNƒŠƒtƒ@ƒCƒX�@ƒ†ƒA�@ƒ{ƒfƒB�@�ySacrifice your body�z |
3,900 |
Roe Ethridge |
MACK |
ƒn�[ƒhƒJƒo�[�@2014 |
�w“ü |
| M_137 |
‰p�jƒ�ƒo�[ƒg�EƒAƒ_ƒ€ƒXŽÊ�^�W�@�yInteriors 1973-1974�z |
8,000 |
Robert Adams |
Nazraeli Press |
”Ÿ�@24—t“ü�@2006 |
�w“ü |
| M_138 |
‰p�jƒ�ƒo�[ƒg�EƒAƒ_ƒ€ƒXŽÊ�^�W�@ƒXƒeƒBƒ‹�Eƒ‰ƒCƒ”ƒX�@�yRobert Adams Still Lives�z |
4,000 |
�@ |
Nazraeli Press |
ƒJƒo�[�@2006 |
�w“ü |
| M_139 |
‰p)ƒ�ƒ“�EƒIƒŠƒ”ƒ@�[ŽÊ�^�W�@Œ©“n‚·ŒÀ‚è�@�yAS FAR AS THE EYE CAN SEE�z |
32,000 |
RON OLIVER |
ICONOGRAPHY2 |
ƒJƒo�[�ã•”ƒ„ƒP�@“V�ƒ„ƒP�A�ƒVƒ~�@Œ©•Ô‚µƒVƒ~�@1994 |
�w“ü |
| M_140 |
‰p�jˆÀŠyŽ›‚¦‚ÝŽÊ�^�W�@�yANRAKUJI�z |
1,500 |
Emi Anrakuji |
Nazraeli Press |
ƒJƒo�[�@2006 |
�w“ü |
| M_141 |
‰p�j‹{–{—²ŽiŽÊ�^�W�@�yRYUJI MIYAMOTO�z |
6,800 |
Ryuji Miyamoto |
STEIDL |
ƒJƒo�[�@1999 |
�w“ü |
| M_142 |
‰p�j�™‰Y–MŒbŽÊ�^�W�@ƒA�[ƒeƒBƒXƒg‚ƉȊwŽÒ�@�yKunie Sugiura Artists and Scientists�z |
9,800 |
Kunie Sugiura |
Nazraeli Press/JGS |
ƒJƒo�[�@‘å”»�@ƒn�[ƒhƒJƒo�[�@2007 |
�w“ü |
| M_143 |
‰p�j“n•Ó�Ž–¤ŽÊ�^�W�@‰Ì•‘Šê’¬�yGANGS OF KABUKICHO�z |
13,000 |
WATANABE KATSUMI |
PPP Editions |
ƒrƒj�[ƒ‹ƒJƒo�[�@2006 |
�w“ü |
| M_144 |
‰p�j•ŸŒ´�MŽO‚ƘH‘��yShinzo and Roso Fukuhara Photographys by Ginza Modern Boys 1913-1941�z |
3,000 |
Noriko Fuku |
SEPIA |
ƒ\ƒtƒgƒJƒo�[72•Å�@2000 |
�w“ü |
| M_145 |
‰p“Æ�jP�EƒeƒBƒŒƒbƒZƒ“ŽÊ�^�W�@ƒS�[ƒ‹ƒh�yGOLD�z |
2,500 |
Peter Tillessen |
Lars Muller Publishers |
ƒn�[ƒhƒJƒo�[�@2000 |
�w“ü |
| M_146 |
‰p—–�jƒfƒVƒŠ�[�Eƒhƒ‹ƒ�ƒ“ŽÊ�^�W�@�yDESIREE DOLRON�z |
9,800 |
�@ |
TERRA |
ƒJƒo�[�ƒXƒŒ�A�ƒCƒ^ƒ~�@’Ô‚¶�‚ä‚é‚Ý�@2005 |
�w“ü |
| M_147 |
‰œŽR—R”VŽÊ�^�W�@As the Call, So the Echo |
3,600 |
‰œŽR—R”V |
�Ô�XŽÉ |
ƒn�[ƒhƒJƒo�[�@ƒNƒ�ƒX‘•�@•Ê�ü•t�@2017 |
�w“ü |
| M_148 |
‰ª‘º�º•F�@•ñ“¹ŽÊ�^�W |
1,600 |
‰ª‘º�t•F/ŠÄ�C |
�u’kŽÐ |
‘уJƒo�[‹¤‚É”w�ƒ„ƒP�@1986 |
�w“ü |
| M_149 |
‰ª–{‘¾˜YŽÊ�^�W�@‰ª–{‘¾˜Y‚̉«“ê |
5,600 |
‰ª–{‘¾˜Y/’˜ |
NHK�o”Å |
ƒJƒo�[�@‘Ñ�@2000 |
�w“ü |
| M_150 |
‰Ô‚ª“¦‚°‚é�@�w“y–åŒ�‚ª•`‚¢‚½‰Ô�¸�x |
2,900 |
�@ |
ƒvƒ�ƒWƒF�Eƒ_�[ƒ‹ |
— •\ކƒ„ƒP�@ƒŠƒ“ƒO’Ô‚¶�@�}”Å102“_�@1991 |
�w“ü |
| M_151 |
‰Ô�·—F—¢ŽÊ�^�W�@�Q‹N‚«�—Žq |
900 |
‰Ô�·—F—¢ |
ƒ�ƒjƒuƒbƒNƒX |
ƒJƒo�[�@‘Ñ�@2018 |
�w“ü |
| M_152 |
Š|�쌹ˆê˜YŽÊ�^�W�@‘å’n‚É�¶‚«‚é–kŠC“¹‚̉«“ꑺ |
9,000 |
Š|�쌹ˆê˜Y/’˜ |
‘æˆê–@‹K |
ƒJƒo�[�@ŽO•û�ƒ„ƒP�@1980 |
�w“ü |
| M_153 |
Š™êŒ |
160,000 |
�×�]‰pŒö/ŽÊ�^�@“y•û’F/•‘“¥ |
Œ»‘ãŽv‘zŽÐ |
ŠO”Ÿ‚É�ƒ„ƒP�A�ƒVƒ~�A�ƒCƒ^ƒ~�@–{‘̃vƒ‰ƒJƒo�[‚É—ô‚¯�@–{‘Ì”w‚É�ƒVƒ~�@–{‘̈ꕔ’Ô‚¶�ž‚ݕł̒[‚É�Ü‚ê�Õ—L‚è�@�‰”Å�@ƒXƒŠƒbƒvƒP�[ƒX�ó‘Ô—Ç�D�@1969 |
�w“ü |
| M_154 |
Š¥�¼ŽŸ˜Y‚ƕ䊡ŽOŽõ—Y�@�••”‚Æ‘„ |
2,900 |
�@ |
“Œ‹ž“sŽÊ�^”ü�pŠÙ |
ƒ\ƒtƒgƒJƒo�[�@2014 |
�w“ü |
| M_155 |
Šâ‹´�’ŽŠŽÊ�^�W ”’“ªŽR |
3,000 |
�@ |
SBB |
“ñ�d”Ÿ�@’艿10–œ‰~�@‰¡’·‘å”»�@“ú–{Œê‰ð�à•t‚«�@1993 |
�w“ü |
| M_156 |
‹GЧ�@ƒNƒ‰ƒVƒbƒNƒJƒ�ƒ‰�@‘S18�û‘µ |
14,000 |
“c’†’·“¿�@‘¼ |
‘o—tŽÐ |
1-18Šª‘µ�@1Šª•\ކ��Ü‚ê�Õ—L�@2003 |
�w“ü |
| M_157 |
‹GЧ�@ŽÊ�^ƒ��[ƒNƒVƒ‡ƒbƒv No.7�@“Á�W�F�—�«ŽÊ�^ |
12,000 |
�Ó”C•Ò�W�F�r–ØŒoˆÒ |
ŽÊ�^ƒ��[ƒNƒVƒ‡ƒbƒv•Ò�WŽº |
ƒ\ƒtƒgƒJƒo�[72•Å�@— •\ކ‰º•”‚ÉŒ‡‘¹‰Ó�Š‚ ‚è�@1976 |
�w“ü |
| M_158 |
‹O�Õ�@‘å‘©Œ³‚Ì�¢ŠE |
3,900 |
ŠM•—ŽÉ/•Ò |
•½–}ŽÐ |
ƒJƒo�[�@‘Ñ�@1996 |
�w“ü |
| M_159 |
‹SŠC�O—YŽÊ�^�W�@“Œ‹ž–À˜H |
5,800 |
‹SŠC�O—Y |
�¬ŠwŠÙ |
“›ƒP�[ƒX“ü�@1999 |
�w“ü |
| M_160 |
‹g‘º˜a•qŽÊ�^�W�@Du CANADA[ƒfƒ…�@ƒJƒiƒ_] |
2,500 |
‹g‘º˜a•q |
“úŒoƒiƒVƒ‡ƒiƒ‹ƒWƒIƒOƒ‰ƒtƒBƒbƒN |
ƒJƒo�[�@‘Ñ�@2019 |
�w“ü |
| M_161 |
‹g‘º˜a•qŽÊ�^�W�@KANRANSHA�~ŠÏ——ŽÔ |
1,700 |
‹g‘º˜a•q |
ƒtƒHƒgƒZƒŒƒNƒgƒuƒbƒNƒX |
ƒ\ƒtƒgƒJƒo�[�@ƒJƒo�[�@‘Ñ�@2015 |
�w“ü |
| M_162 |
‹g“c—º�lŽÊ�^�W�@The Absence of Two |
3,300 |
‹g“c—º�l |
�ÂŒ¶ŽÉ |
‘Ñ�@2018 |
�w“ü |
| M_163 |
‹v‰Æ–õ�GŽÊ�^�W�@‰–ƒm‰Ô/ŽO‘ |
3,800 |
‹v‰Æ–õ�G |
KOKUYO |
Anƒm�[ƒgƒuƒbƒNƒVƒŠ�[ƒY�@2�ûƒZƒbƒg�@‘шꕔƒLƒŒ�A�‰˜�@2005 |
�w“ü |
| M_164 |
‹{�è‚¢‚¸”üŽÊ�^�W�@Ž„‚ÆŽ„�@Me and Me |
1,900 |
‹{�è‚¢‚¸”ü |
�ÂŒ¶ŽÉ |
ƒJƒo�[�@‘Ñ�@ƒ\ƒtƒgƒJƒo�[�@2018 |
�w“ü |
| M_165 |
‹{–{—²ŽiŽÊ�^�W�@CARDBOARD HOUSES |
5,000 |
�@ |
BEARLIN |
ƒJƒo�[�@2003 |
�w“ü |
| M_166 |
‹{–{—²ŽiŽÊ�^�W�@ƒAƒ“ƒR�[ƒ‹ |
1,800 |
�@ |
ƒgƒŒƒ”ƒBƒ‹ |
ƒJƒo�[�@1994 |
�w“ü |
| M_167 |
‹{–{—²ŽiŽÊ�^�W�@‹ã—´�é�Ô |
4,900 |
�@ |
•½–}ŽÐ |
ƒJƒo�[— �ƒCƒ^ƒ~�@1997 |
�w“ü |
| M_168 |
‹�Ž”‚Ó�¬Šw�Z |
38,000 |
•Ÿ“c�ŸŽ¡ |
ŒºŒõŽÐ�@ |
”Ÿ�EƒJƒo�[�ƒ„ƒuƒŒ�A“ú�Ä‚¯�@109•Å�@“V�E’n�E�¬Œû�ƒVƒ~ 1941 |
�w“ü |
| M_169 |
‹à‘º�CŽÊ�^�W�@Happiness is a Red before Exploding |
0 |
‹à‘º�C |
ƒ�ƒCƒY�o”Å |
�y”„�Ø‚ê�zƒJƒo�[�@“V�E�¬Œû�ƒ„ƒP�@ƒTƒCƒ““ü‚è�@2000 |
�w“ü |
| M_170 |
‹à‘º�CŽÊ�^�W I CAN TELL |
8,500 |
‹à‘º�C |
–F‰ê�‘“X |
‘Ñ•t�@‘æ19‰ñ“y–åŒ��Ü�@2001 |
�w“ü |