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N_M_012 �r–ØŒoˆÒŽÊ�^�W�@‰Ô‹È 11,000 �r–ØŒoˆÒ/’˜ �V’ªŽÐ ƒJƒo�[�@‘Ñ�@1997 �w“ü
N_M_013 �r–ØŒoˆÒŽÊ�^�W�@�Fˆú 7,500 �@ ƒA�[ƒgƒ‹�[ƒ€ ƒJƒo�[”w�ã•”ƒCƒ^ƒ~�A�Ü‚è•Ô‚µ•”•ª�­ƒCƒ^ƒ~�@2005 �w“ü
N_M_014 �•“cŒõˆêŽÊ�^�W�@’e“¹Šw 2,000 �@ �Ô�XŽÉ ƒJƒo�[�@“V’n�­ƒCƒ^ƒ~�@ƒTƒCƒ““ü�@2008 �w“ü
N_M_015 ŽÂŽR‹I�M�@RIONA ŒÀ’è”Å 7,500 �@ ‚Ô‚ñ‚©ŽÐ ”Ÿƒ„ƒP�i—A‘—” ‚ÍŒ‡�j�@�}”Å67ƒV�[ƒg+ŽB‰eŒ´”Ń|ƒWƒtƒBƒ‹ƒ€1–‡“ü�@1998 �w“ü
N_M_016 �\•¶Žš”ü�M�@‚í‚Ñ 9,800 �\•¶Žš”ü�M/’˜ ’WŒðŽÐ ”Ÿ”wƒ„ƒP�A�­ƒXƒŒ�@–{‘Ì”wƒ„ƒP�@2002 �w“ü
N_M_017 �XŽR‘哹ŽÊ�^�W�@ƒnƒ�ƒC 7,500 �@ ŒŽ—jŽÐ ƒJƒo�[”w�ã•”�­ƒCƒ^ƒ~�@‘Ñ�@ƒTƒCƒ““ü�@2007 �w“ü
N_M_018 �_‘ ”üŽqŽÊ�^�W�@ƒiƒ`ƒ…ƒŠƒ^ 1,500 �@ IPC�iƒAƒCƒs�[ƒV�[�j ƒJƒo�[�@1990 �w“ü
N_M_019 �Γà“sŽÊ�^�W�@CLUB & COURTS YOKOSUKA YOKOHAMA 8,800 �Γà“s ‘“âuŽÐ “›ƒP�[ƒX•t‚«�@ƒTƒCƒ““ü�@2007 �w“ü
N_M_020 ‘q“c�¸“ñŽÊ�^�W�@‘刟�׈Ÿ 3,000 �@ IPC�iƒAƒCƒs�[ƒV�[�j ”Ÿ”w�­ƒVƒ~�@ƒvƒ‰ƒXƒ`ƒbƒNƒJƒo�[�@1990 �w“ü
N_M_021 ‘哌ˆŸ�푈ŽÊ�^Žj�@‘S4�û‘µ 3,800 �X�‚”É—Y/•Ò •xŽm�‘‰‘ ‘S�û”ŸƒCƒ^ƒ~�AƒJƒo�[ƒ„ƒP�A�­ƒCƒ^ƒ~�@ƒpƒ‰ƒtƒBƒ“ƒJƒo�[”j‚ê�@1954 �w“ü
N_M_022 ’ª“c“o‹vŽqŽÊ�^�W�@–XŽq�@HATS 2,000 �@ ƒpƒ�ƒ‹ŽÉ ƒJƒo�[�@Œ£’æƒTƒCƒ““ü�@2004 �w“ü
N_M_023 “Æ�jƒOƒ��[ƒfƒ“”ŒŽÝ‘¼ŽÊ�^�W�yWilhem von Gloden, Guglielmo Pluschow, Vincenzo Galdi
ET IN ARCADIA EGO�z
5,000 Tobias G. Natter and Peter Weiermair EDITION OEHRLI ƒNƒ�ƒX‘•ƒn�[ƒhƒJƒo�[�@�¬Œû‚Ɖœ•t•Å—]”’‚É�­ƒVƒ~�@2000 �w“ü
N_M_025 •§�jƒŒƒCƒ‚ƒ“ƒh�EƒfƒBƒpƒ‹ƒhƒ“ŽÊ�^�W�@7�~3 3,500 Raymond Depardon Foundation Cartier ƒn�[ƒhƒJƒo�[�@2004 �w“ü
N_Q_001 ‰p�jƒ�ƒ“ƒYƒtƒ@ƒbƒVƒ‡ƒ“Žj�yA HISTORY OF MEN'S FASHION�z 4,900 FARID CHENOUNE Flammarion ƒJƒo�[ƒCƒ^ƒ~�@ŽO•û”–ƒ„ƒP�@1995 �w“ü
N_R_001 ‰p�jƒVƒ`ƒŠƒA“‡‚̃Œ�[ƒX�@ƒ^ƒ‹ƒK�Eƒtƒ��[ƒŠƒI‚Ì—ðŽj�yTARGA FLORIO 20th CENTURY EPIC�z 9,800 Gianni Cancellieri/•Ò GIORGIO NADA EDITORE ƒJƒo�[�@ƒn�[ƒhƒJƒo�[480•Å�@2006 �w“ü
N_R_002 ‰p�jƒXƒpƒCƒ_�[‚ƃVƒ‹ƒGƒbƒgƒJ�[�@1972-1981�ySPYDERS & SILHOUETTES�z 7,000 JANOS WIMPFFEN DAVID BULL PUBLISHING ƒJƒo�[”w”–ƒ„ƒP�A�­ƒVƒ��@ƒn�[ƒhƒJƒo�[400•Å�@“V�­ƒ„ƒP�@2007 �w“ü
N_R_003 ‰p�jƒxƒ“ƒgƒŒ�[�@ƒuƒ‹ƒbƒNƒ‰ƒ“ƒY�yTHE BENTLEY BROOKLANDS�z 9,800 �@ CLASSIC DRIVER/MERRELL ƒNƒ�ƒX‘•”Ÿ�@ƒn�[ƒhƒJƒo�[206•Å�@2010 �w“ü
N_T_001 ŠC�ã‰ë�b‚ª�„‚·�@�íŒã”ü�p‚Ì3�l“W 1,800 �@ ”~–ì‹L”OŠG‰æŠÙ “›ƒP�[ƒX�@3•ª�û‚Ì“à�Aˆä�ã—Lˆê•т̔w�­ƒVƒ~�@2009 �w“ü
N_T_002 ŽO—Ö“c•ÄŽR‚Ì�‘ 2,000 �¬“cŽR�‘“¹”ü�pŠÙ/ŠÄ�C —¢•¶�o”Å ƒJƒo�[�@‘Ñ�@“V�­ƒ„ƒP�A�­ƒVƒ~�@‰”•Mƒ‰ƒCƒ“�Á‚µ�Õ—L�@2004 �w“ü
N_T_003 �‘ 2,600 ŒF’JŽçˆê/’˜ �_–³�‘–[ ƒJƒo�[�­ƒVƒ~�A�­‰˜�@‘Ñ�@2000 �w“ü
N_T_004 ‘׊¿Š¢ác•¶ 5,800 ˆÉ“¡Ž /•Ò’˜ “ú–{�KŽš•�‹y‹¦‰ï ”Ÿ”wƒ„ƒP�A�­ƒLƒY�@–{‘Ì”wƒ„ƒP�@–`“ª�”•ŃVƒ~�@1995 �w“ü
N_T_005 ”j‘Ì�‘‚Ì‚·‚·‚ß 1,800 �¼–{’}•õ/’˜ “ú–f�o”ÅŽÐ ƒJƒo�[•\–ʃCƒ^ƒ~�AƒXƒŒ�@“V�E�¬Œû�­‰˜�@1983 �w“ü
N_T_006 •ÄŽR‚Ì–£˜f 1,500 •ÄŽRŒ°�²‰ï/ŠÄ�C �´—¬�o”Å ƒJƒo�[�@‘Ñ�@“V�­ƒVƒ~�@2008 �w“ü
N_T_007 –vŒã100”N‹L”O�@‘“ŠC�@•›“‡Ží�b 4,000 �@ �²‰êŒ§—§”ü�pŠÙ ƒ\ƒtƒgƒJƒo�[�@”w�­ƒCƒ^ƒ~�@“V�­ƒVƒ~�@’n�­ƒCƒ^ƒ~�@‰”•Mƒ‰ƒCƒ“�Á‚µ�Õ—L�@2006 �w“ü
A_001 ‚­‚·‚蔎•¨ŠÙŽû‘ �@Ž‘—¿�W4�@‚Í‚â‚è•a‚̋ъG 2,500 ˆÉ“¡‹±Žq/•Ò “à“¡‹L”O‚­‚·‚蔎•¨ŠÙ ƒ\ƒtƒgƒJƒo�[�@�}”Å111“_�@2001 �w“ü
A_002 ƒjƒbƒ|ƒ“‚̉æ‹S�@àÍ�X‹¶�Ö“` 2,800 •Ÿ•x‘¾˜Y ‰æ•¶“° ƒ\ƒtƒgƒJƒo�[�@•\ކ”–ƒ„ƒP�A�­‰˜�A”w�ã•”�­ƒCƒ^ƒ~�@•Ê�ü�u�}”ʼnð�à�@’ÇŽ§‚Æ•â’ù�v•t�@ŒÀ’è800•”‚Ì“à1”Ô�@1969 �w“ü
A_003 ˆÉ�jƒWƒFƒmƒ”ƒ@�EƒLƒˆƒbƒ\�[ƒl”Ž•¨ŠÙ�@•‚�¢ŠG”ʼnæ�@�yDipinti e stampe del Mondo Fluttuante
Capolavori Ukiyoe del Museo Chiossone di Genova�z
2,000 Donatella Failla SKIRA ƒJƒo�[�@ƒn�[ƒhƒJƒo�[256•Å�@•\ކŠpƒAƒ^ƒŠ�@2005 �w“ü
A_004 ˆÉ�j�‘–F‰æ�W�@�yKUNIYOSHI Il visionario del Mondo Fluttuante�z 5,000 �@ SKIRA ƒn�[ƒhƒJƒo�[215•Å�@2017 �w“ü
A_005 ‰p�j�_�â�á‰À�@�yKAMISAKA SEKKA�z 4,300 Khanh Trinh/•Ò ART GALLERY of New South Wales ƒJƒo�[�@ƒn�[ƒhƒJƒo�[192•Å�@2012 �w“ü
A_006 ‰p�j–F”N�@”ü�l‰æ‚ƃoƒCƒIƒŒƒ“ƒX�@�yBeauty & Violence Japanese prints by Yoshitoshi 1839-1892�z 5,000 �@ Society for Japanese Arts ƒ\ƒtƒgƒJƒo�[168•Å�@•\ކ�­ƒCƒ^ƒ~�@–{‘ÌŠp�­”½‚è�@�Å�I•łɑ ˆó—L‚è�@1992 �w“ü
A_007 ‰p�j–{ˆ¢–íŒõ‰x‚ÌŒ|�p�yTHE ARTS OF HON'AMI KOETSU�z 3,200 �@ PHILADELPHIA MUSEUM OF ART ƒJƒo�[‚É�­ƒˆƒŒ�A�­ƒCƒ^ƒ~�A•”•ª“I‚Ƀ„ƒP�@‘OŒ©•Ô‚µ‚É�Ü‚ê�Õ—L‚è�@2000 �w“ü
A_008 ‰~ŽR�EŽl�ð”h�@ˆí‰¥”ü�pŠÙ‘ •i 2,000 ˆí‰¥”ü�pŠÙ/•Ò ‹ž“s�‘‰@ ƒ\ƒtƒgƒJƒo�[�@•\— –Ê�­ƒ„ƒP�A�­‰˜�@1984 �w“ü
A_009 ‰¢•ÄŽû‘ “ú–{ŠG‰æ�W�¬�@�ÝŠO”é•ó�@•§‹³ŠG‰æ�E‘å˜aŠG�E�…–n‰æ 5,000 “‡“c�CŽO˜Y/•Ò Šw�KŒ¤‹†ŽÐ —A‘—”Ÿ�­ƒXƒŒ�AƒCƒ^ƒ~—L�@›ã“ü�@’艿36000‰~�@1969 �w“ü
A_010 Šâ�²–”•º‰qŠGŠª�@ŽR’†�í”Õ•¨ŒêŠGŠª/–x�]•¨ŒêŠGŠª/�ò—Ú—ž•¨ŒêŠGŠª 2,500 MOA”ü�pŠÙ/•Ò ƒGƒ€ƒI�[ƒG�[�¤Ž– ƒJƒo�[�@�º61 �w“ü
A_011 ‹ÉŠyŠG 16,000 ‹àŽqŒjŽO/ŽÊ�^�@�^•Û‹œ/ŠÄ�C�E•¶ –ˆ“ú�V•·ŽÐ “ñ�d”Ÿ�@ŒÀ’è1200•”�@’艿5–œ‰~�@ŠO”Ÿ‚ɃCƒ^ƒ~�@1977 �w“ü
A_012 ‹ß�]‚Ì�á•ljæ 2,900 �ΊÛ�³‰^�Aˆé”Ž/’˜ ‹ž“s�‘‰@ “ñ�d” �@’艿48000‰~�@�º56 �w“ü
A_013 ‹ß�¢•—‘­�}•ˆ1�@”N’†�sŽ– 3,000 —щ®’CŽO˜Y �¬ŠwŠÙ “ñ�d”Ÿ�@–{‘ÌŽO•û�­ƒ„ƒP�@ŒŽ•ñ•t�@’艿18000‰~�@1983 �w“ü
A_014 ‹ß�¢•—‘­�}•ˆ12�@�E�l 3,200 —щ®’CŽO˜Y �¬ŠwŠÙ “ñ�d”Ÿ�@–{‘ÌŽO•û�­ƒ„ƒP�@ŒŽ•ñ•t�@’艿18000‰~�@1983 �w“ü
A_015 ‹ß�¢•—‘­�}•ˆ3�@—Œ’†—ŒŠO�i1�j 3,200 —щ®’CŽO˜Y �¬ŠwŠÙ “ñ�d”Ÿ�@–{‘ÌŽO•û�­ƒ„ƒP�@ŒŽ•ñ•t�@’艿18000‰~�@1983 �w“ü
A_016 ‹ß�¢•—‘­�}•ˆ8�@�Õ—ç�i1�j 3,200 —щ®’CŽO˜Y �¬ŠwŠÙ “ñ�d”Ÿ�@–{‘ÌŽO•û�­ƒ„ƒP�@ŒŽ•ñ•t�@’艿18000‰~�@1982 �w“ü
A_017 ŒŒ‚̔ӎ`�@‘å‘h–F”N‚ÌåY�p 17,000 �@ ”Ô’¬�‘–[ —A‘—”Ÿ‰˜‚ê�@”Ÿƒ„ƒP�@›ã�@•Ê�û•t�@’艿30000‰~�@ŒÀ’è1200•”�@1971 �w“ü
A_018 ŒŽ‰ª–F”N‰æ�W 16,000 �£–Ø�Tˆê/•Ò �u’kŽÐ ”ŸƒCƒ^ƒ~�A”wƒ„ƒP�@�}”Å203“_�@143•Å�@1978 �w“ü
A_019 ŒÃ•MŽèŠÓ‚Ɖ撟‚Ì–¼•i�@‹ß�¢“ú–{‚̃A�[ƒg�EƒAƒ‹ƒoƒ€ 1,800 �@ ƒTƒ“ƒgƒŠ�[”ü�pŠÙ �}˜^�@ƒ\ƒtƒgƒJƒo�[�@2001 �w“ü
A_020 Œä‰¾‘�ŽqŠGŠª 9,000 ‰œ•½‰p—Y/•Ò Šp�ì�‘“X ”Ÿ�@ƒJƒo�[ŽC‚ê�@ŒÀ’è”Å�@’艿24000‰~�@1982 �w“ü
A_021 Œä•¨ãÚ�¬�@‘S4Šª‘µ 10,000 ‹{“à’¡Ž˜�]�E/•Ò ’©“ú�V•·ŽÐ “ñ�d”Ÿ�@”à•Å‚É�­�¯ƒVƒ~�@ŠG‰æ1�EŠG‰æ2�E�‘�Õ1�E�‘�Õ2�@ŠeŠª•Ê�û‰ð�à•t‚«�@1978 �w“ü
A_022 Œõ—Ô•S�}�@‘S4�û‘µ 4,500 ’†‘ºŒk’j/‰ð�à Šâ�è”ü�pŽÐ ŠO”ŸŒ‡�@˜a–{4�û›ã“ü�@‰ð�à–{•t�@�@1981 �w“ü
A_023 �]ŒË‚ÌŠG‰æ�@A Kaleidoscope of Painting Styles
Essays on Edo Period Paintings
23,000 �¬—Ñ’‰/’˜ åY‰Ø�‘‰@ ”Ÿ�­‰˜�@ƒJƒ‰�[�}”Å103“_�@ŽQ�l�}”Å203“_�@584•Å�@2010 �w“ü
A_024 �]ŒË‚ÌŠG—ï 3,200 ‰ª“c–F˜N ‘å�CŠÙ�‘“X ƒJƒo�[�@‘Ñ�@2006 �w“ü
A_025 �]ŒË‚Ì—m‰æ‰Æ 2,600 �¬–ì’‰�d/’˜ ŽO�ÊŽÐ ”Ÿ�­ƒ„ƒP�@ŽO•û�­ƒ„ƒP�@ŒÀ’è1000•”�@1968 �w“ü
A_026 �]ŒË�ØŠG�}�W�¬‘æ1Šª�@‹g•¶Žš‰®”Â�@�V•Ò�]ŒËˆÀŒ©�} 2,500 �Ä“¡’¼�¬/•Ò ’†‰›Œö˜_ŽÐ ”Ÿ�­ƒCƒ^ƒ~�@1981 �w“ü

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