| No. |
�¤•i–¼ |
’P‰¿(‰~) |
’˜ŽÒ/•ÒŽÒ |
�o”ÅŽÐ |
�à–¾ |
‚©‚²‚Ö |
| N_M_011 |
‹GЧŽÊ�^Ž��wƒfƒWƒƒ��ƒ”ƒ…�x14�†�@“Á�W�wƒvƒ�ƒ”ƒH�[ƒN�x‚ÌŽž‘ã |
5,800 |
�@ |
ƒtƒHƒgƒvƒ‰ƒlƒbƒg |
ƒ\ƒtƒgƒJƒo�[�@— •\ކ‚킸‚©‚Ƀ„ƒP�@1993 |
�w“ü |
| N_M_012 |
�r–ØŒoˆÒŽÊ�^�W�@‰Ô‹È |
11,000 |
�r–ØŒoˆÒ/’˜ |
�V’ªŽÐ |
ƒJƒo�[�@‘Ñ�@1997 |
�w“ü |
| N_M_013 |
�r–ØŒoˆÒŽÊ�^�W�@�Fˆú |
7,500 |
�@ |
ƒA�[ƒgƒ‹�[ƒ€ |
ƒJƒo�[”w�ã•”ƒCƒ^ƒ~�A�Ü‚è•Ô‚µ•”•ª�ƒCƒ^ƒ~�@2005 |
�w“ü |
| N_M_014 |
�•“cŒõˆêŽÊ�^�W�@’e“¹Šw |
2,000 |
�@ |
�Ô�XŽÉ |
ƒJƒo�[�@“V’n�ƒCƒ^ƒ~�@ƒTƒCƒ““ü�@2008 |
�w“ü |
| N_M_015 |
ŽÂŽR‹I�M�@RIONA ŒÀ’è”Å |
7,500 |
�@ |
‚Ô‚ñ‚©ŽÐ |
”Ÿƒ„ƒP�i—A‘—” ‚ÍŒ‡�j�@�}”Å67ƒV�[ƒg+ŽB‰eŒ´”Ń|ƒWƒtƒBƒ‹ƒ€1–‡“ü�@1998 |
�w“ü |
| N_M_016 |
�\•¶Žš”ü�M�@‚í‚Ñ |
9,800 |
�\•¶Žš”ü�M/’˜ |
’WŒðŽÐ |
”Ÿ”wƒ„ƒP�A�ƒXƒŒ�@–{‘Ì”wƒ„ƒP�@2002 |
�w“ü |
| N_M_017 |
�XŽR‘哹ŽÊ�^�W�@ƒnƒ�ƒC |
7,500 |
�@ |
ŒŽ—jŽÐ |
ƒJƒo�[”w�ã•”�ƒCƒ^ƒ~�@‘Ñ�@ƒTƒCƒ““ü�@2007 |
�w“ü |
| N_M_018 |
�_‘ ”üŽqŽÊ�^�W�@ƒiƒ`ƒ…ƒŠƒ^ |
1,500 |
�@ |
IPC�iƒAƒCƒs�[ƒV�[�j |
ƒJƒo�[�@1990 |
�w“ü |
| N_M_019 |
�Γà“sŽÊ�^�W�@CLUB & COURTS YOKOSUKA YOKOHAMA |
8,800 |
�Γà“s |
‘“âuŽÐ |
“›ƒP�[ƒX•t‚«�@ƒTƒCƒ““ü�@2007 |
�w“ü |
| N_M_020 |
‘q“c�¸“ñŽÊ�^�W�@‘刟�׈Ÿ |
3,000 |
�@ |
IPC�iƒAƒCƒs�[ƒV�[�j |
”Ÿ”w�ƒVƒ~�@ƒvƒ‰ƒXƒ`ƒbƒNƒJƒo�[�@1990 |
�w“ü |
| N_M_021 |
‘哌ˆŸ�푈ŽÊ�^Žj�@‘S4�û‘µ |
3,800 |
�X�‚”É—Y/•Ò |
•xŽm�‘‰‘ |
‘S�û”ŸƒCƒ^ƒ~�AƒJƒo�[ƒ„ƒP�A�ƒCƒ^ƒ~�@ƒpƒ‰ƒtƒBƒ“ƒJƒo�[”j‚ê�@1954 |
�w“ü |
| N_M_022 |
’ª“c“o‹vŽqŽÊ�^�W�@–XŽq�@HATS |
2,000 |
�@ |
ƒpƒ�ƒ‹ŽÉ |
ƒJƒo�[�@Œ£’æƒTƒCƒ““ü�@2004 |
�w“ü |
| N_M_023 |
“Æ�jƒOƒ��[ƒfƒ“”ŒŽÝ‘¼ŽÊ�^�W�yWilhem von Gloden, Guglielmo Pluschow, Vincenzo Galdi ET IN ARCADIA EGO�z |
5,000 |
Tobias G. Natter and Peter Weiermair |
EDITION OEHRLI |
ƒNƒ�ƒX‘•ƒn�[ƒhƒJƒo�[�@�¬Œû‚Ɖœ•t•Å—]”’‚É�ƒVƒ~�@2000 |
�w“ü |
| N_M_025 |
•§�jƒŒƒCƒ‚ƒ“ƒh�EƒfƒBƒpƒ‹ƒhƒ“ŽÊ�^�W�@7�~3 |
3,500 |
Raymond Depardon |
Foundation Cartier |
ƒn�[ƒhƒJƒo�[�@2004 |
�w“ü |
| N_Q_001 |
‰p�jƒ�ƒ“ƒYƒtƒ@ƒbƒVƒ‡ƒ“Žj�yA HISTORY OF MEN'S FASHION�z |
4,900 |
FARID CHENOUNE |
Flammarion |
ƒJƒo�[ƒCƒ^ƒ~�@ŽO•û”–ƒ„ƒP�@1995 |
�w“ü |
| N_R_001 |
‰p�jƒVƒ`ƒŠƒA“‡‚̃Œ�[ƒX�@ƒ^ƒ‹ƒK�Eƒtƒ��[ƒŠƒI‚Ì—ðŽj�yTARGA FLORIO 20th CENTURY EPIC�z |
9,800 |
Gianni Cancellieri/•Ò |
GIORGIO NADA EDITORE |
ƒJƒo�[�@ƒn�[ƒhƒJƒo�[480•Å�@2006 |
�w“ü |
| N_R_002 |
‰p�jƒXƒpƒCƒ_�[‚ƃVƒ‹ƒGƒbƒgƒJ�[�@1972-1981�ySPYDERS & SILHOUETTES�z |
7,000 |
JANOS WIMPFFEN |
DAVID BULL PUBLISHING |
ƒJƒo�[”w”–ƒ„ƒP�A�ƒVƒ��@ƒn�[ƒhƒJƒo�[400•Å�@“V�ƒ„ƒP�@2007 |
�w“ü |
| N_R_003 |
‰p�jƒxƒ“ƒgƒŒ�[�@ƒuƒ‹ƒbƒNƒ‰ƒ“ƒY�yTHE BENTLEY BROOKLANDS�z |
9,800 |
�@ |
CLASSIC DRIVER/MERRELL |
ƒNƒ�ƒX‘•”Ÿ�@ƒn�[ƒhƒJƒo�[206•Å�@2010 |
�w“ü |
| N_T_001 |
ŠC�ã‰ë�b‚ª�„‚·�@�íŒã”ü�p‚Ì3�l“W |
1,800 |
�@ |
”~–ì‹L”OŠG‰æŠÙ |
“›ƒP�[ƒX�@3•ª�û‚Ì“à�Aˆä�ã—Lˆê•т̔w�ƒVƒ~�@2009 |
�w“ü |
| N_T_002 |
ŽO—Ö“c•ÄŽR‚Ì�‘ |
2,000 |
�¬“cŽR�‘“¹”ü�pŠÙ/ŠÄ�C |
—¢•¶�o”Å |
ƒJƒo�[�@‘Ñ�@“V�ƒ„ƒP�A�ƒVƒ~�@‰”•Mƒ‰ƒCƒ“�Á‚µ�Õ—L�@2004 |
�w“ü |
| N_T_003 |
�‘ |
2,600 |
ŒF’JŽçˆê/’˜ |
�_–³�‘–[ |
ƒJƒo�[�ƒVƒ~�A�‰˜�@‘Ñ�@2000 |
�w“ü |
| N_T_004 |
‘׊¿Š¢ác•¶ |
5,800 |
ˆÉ“¡Ž /•Ò’˜ |
“ú–{�KŽš•�‹y‹¦‰ï |
”Ÿ”wƒ„ƒP�A�ƒLƒY�@–{‘Ì”wƒ„ƒP�@–`“ª�”•ŃVƒ~�@1995 |
�w“ü |
| N_T_005 |
”j‘Ì�‘‚Ì‚·‚·‚ß |
1,800 |
�¼–{’}•õ/’˜ |
“ú–f�o”ÅŽÐ |
ƒJƒo�[•\–ʃCƒ^ƒ~�AƒXƒŒ�@“V�E�¬Œû�‰˜�@1983 |
�w“ü |
| N_T_006 |
•ÄŽR‚Ì–£˜f |
1,500 |
•ÄŽRŒ°�²‰ï/ŠÄ�C |
�´—¬�o”Å |
ƒJƒo�[�@‘Ñ�@“V�ƒVƒ~�@2008 |
�w“ü |
| N_T_007 |
–vŒã100”N‹L”O�@‘“ŠC�@•›“‡Ží�b |
4,000 |
�@ |
�²‰êŒ§—§”ü�pŠÙ |
ƒ\ƒtƒgƒJƒo�[�@”w�ƒCƒ^ƒ~�@“V�ƒVƒ~�@’n�ƒCƒ^ƒ~�@‰”•Mƒ‰ƒCƒ“�Á‚µ�Õ—L�@2006 |
�w“ü |
| A_001 |
‚‚·‚蔎•¨ŠÙŽû‘ �@Ž‘—¿�W4�@‚Í‚â‚è•a‚̋ъG |
2,500 |
ˆÉ“¡‹±Žq/•Ò |
“à“¡‹L”O‚‚·‚蔎•¨ŠÙ |
ƒ\ƒtƒgƒJƒo�[�@�}”Å111“_�@2001 |
�w“ü |
| A_002 |
ƒjƒbƒ|ƒ“‚̉æ‹S�@àÍ�X‹¶�Ö“` |
2,800 |
•Ÿ•x‘¾˜Y |
‰æ•¶“° |
ƒ\ƒtƒgƒJƒo�[�@•\ކ”–ƒ„ƒP�A�‰˜�A”w�ã•”�ƒCƒ^ƒ~�@•Ê�ü�u�}”ʼnð�à�@’ÇŽ§‚Æ•â’ù�v•t�@ŒÀ’è800•”‚Ì“à1”Ô�@1969 |
�w“ü |
| A_003 |
ˆÉ�jƒWƒFƒmƒ”ƒ@�EƒLƒˆƒbƒ\�[ƒl”Ž•¨ŠÙ�@•‚�¢ŠG”ʼnæ�@�yDipinti e stampe del Mondo Fluttuante Capolavori Ukiyoe del Museo Chiossone di Genova�z |
2,000 |
Donatella Failla |
SKIRA |
ƒJƒo�[�@ƒn�[ƒhƒJƒo�[256•Å�@•\ކŠpƒAƒ^ƒŠ�@2005 |
�w“ü |
| A_004 |
ˆÉ�j�‘–F‰æ�W�@�yKUNIYOSHI Il visionario del Mondo Fluttuante�z |
5,000 |
�@ |
SKIRA |
ƒn�[ƒhƒJƒo�[215•Å�@2017 |
�w“ü |
| A_005 |
‰p�j�_�â�á‰À�@�yKAMISAKA SEKKA�z |
4,300 |
Khanh Trinh/•Ò |
ART GALLERY of New South Wales |
ƒJƒo�[�@ƒn�[ƒhƒJƒo�[192•Å�@2012 |
�w“ü |
| A_006 |
‰p�j–F”N�@”ü�l‰æ‚ƃoƒCƒIƒŒƒ“ƒX�@�yBeauty & Violence Japanese prints by Yoshitoshi 1839-1892�z |
5,000 |
�@ |
Society for Japanese Arts |
ƒ\ƒtƒgƒJƒo�[168•Å�@•\ކ�ƒCƒ^ƒ~�@–{‘ÌŠp�”½‚è�@�Å�I•łɑ ˆó—L‚è�@1992 |
�w“ü |
| A_007 |
‰p�j–{ˆ¢–íŒõ‰x‚ÌŒ|�p�yTHE ARTS OF HON'AMI KOETSU�z |
3,200 |
�@ |
PHILADELPHIA MUSEUM OF ART |
ƒJƒo�[‚É�ƒˆƒŒ�A�ƒCƒ^ƒ~�A•”•ª“I‚Ƀ„ƒP�@‘OŒ©•Ô‚µ‚É�Ü‚ê�Õ—L‚è�@2000 |
�w“ü |
| A_008 |
‰~ŽR�EŽl�ð”h�@ˆí‰¥”ü�pŠÙ‘ •i |
2,000 |
ˆí‰¥”ü�pŠÙ/•Ò |
‹ž“s�‘‰@ |
ƒ\ƒtƒgƒJƒo�[�@•\— –Ê�ƒ„ƒP�A�‰˜�@1984 |
�w“ü |
| A_009 |
‰¢•ÄŽû‘ “ú–{ŠG‰æ�W�¬�@�ÝŠO”é•ó�@•§‹³ŠG‰æ�E‘å˜aŠG�E�…–n‰æ |
5,000 |
“‡“c�CŽO˜Y/•Ò |
Šw�KŒ¤‹†ŽÐ |
—A‘—”Ÿ�ƒXƒŒ�AƒCƒ^ƒ~—L�@›ã“ü�@’艿36000‰~�@1969 |
�w“ü |
| A_010 |
Šâ�²–”•º‰qŠGŠª�@ŽR’†�í”Õ•¨ŒêŠGŠª/–x�]•¨ŒêŠGŠª/�ò—Ú—ž•¨ŒêŠGŠª |
2,500 |
MOA”ü�pŠÙ/•Ò |
ƒGƒ€ƒI�[ƒG�[�¤Ž– |
ƒJƒo�[�@�º61 |
�w“ü |
| A_011 |
‹ÉŠyŠG |
16,000 |
‹àŽqŒjŽO/ŽÊ�^�@�^•Û‹œ/ŠÄ�C�E•¶ |
–ˆ“ú�V•·ŽÐ |
“ñ�d”Ÿ�@ŒÀ’è1200•”�@’艿5–œ‰~�@ŠO”Ÿ‚ɃCƒ^ƒ~�@1977 |
�w“ü |
| A_012 |
‹ß�]‚Ì�á•ljæ |
2,900 |
�ΊÛ�³‰^�Aˆé”Ž/’˜ |
‹ž“s�‘‰@ |
“ñ�d” �@’艿48000‰~�@�º56 |
�w“ü |
| A_013 |
‹ß�¢•—‘�}•ˆ1�@”N’†�sŽ– |
3,000 |
—щ®’CŽO˜Y |
�¬ŠwŠÙ |
“ñ�d”Ÿ�@–{‘ÌŽO•û�ƒ„ƒP�@ŒŽ•ñ•t�@’艿18000‰~�@1983 |
�w“ü |
| A_014 |
‹ß�¢•—‘�}•ˆ12�@�E�l |
3,200 |
—щ®’CŽO˜Y |
�¬ŠwŠÙ |
“ñ�d”Ÿ�@–{‘ÌŽO•û�ƒ„ƒP�@ŒŽ•ñ•t�@’艿18000‰~�@1983 |
�w“ü |
| A_015 |
‹ß�¢•—‘�}•ˆ3�@—Œ’†—ŒŠO�i1�j |
3,200 |
—щ®’CŽO˜Y |
�¬ŠwŠÙ |
“ñ�d”Ÿ�@–{‘ÌŽO•û�ƒ„ƒP�@ŒŽ•ñ•t�@’艿18000‰~�@1983 |
�w“ü |
| A_016 |
‹ß�¢•—‘�}•ˆ8�@�Õ—ç�i1�j |
3,200 |
—щ®’CŽO˜Y |
�¬ŠwŠÙ |
“ñ�d”Ÿ�@–{‘ÌŽO•û�ƒ„ƒP�@ŒŽ•ñ•t�@’艿18000‰~�@1982 |
�w“ü |
| A_017 |
ŒŒ‚̔ӎ`�@‘å‘h–F”N‚ÌåY�p |
17,000 |
�@ |
”Ô’¬�‘–[ |
—A‘—”Ÿ‰˜‚ê�@”Ÿƒ„ƒP�@›ã�@•Ê�û•t�@’艿30000‰~�@ŒÀ’è1200•”�@1971 |
�w“ü |
| A_018 |
ŒŽ‰ª–F”N‰æ�W |
16,000 |
�£–Ø�Tˆê/•Ò |
�u’kŽÐ |
”ŸƒCƒ^ƒ~�A”wƒ„ƒP�@�}”Å203“_�@143•Å�@1978 |
�w“ü |
| A_019 |
ŒÃ•MŽèŠÓ‚Ɖ撟‚Ì–¼•i�@‹ß�¢“ú–{‚̃A�[ƒg�EƒAƒ‹ƒoƒ€ |
1,800 |
�@ |
ƒTƒ“ƒgƒŠ�[”ü�pŠÙ |
�}˜^�@ƒ\ƒtƒgƒJƒo�[�@2001 |
�w“ü |
| A_020 |
Œä‰¾‘�ŽqŠGŠª |
9,000 |
‰œ•½‰p—Y/•Ò |
Šp�ì�‘“X |
”Ÿ�@ƒJƒo�[ŽC‚ê�@ŒÀ’è”Å�@’艿24000‰~�@1982 |
�w“ü |
| A_021 |
Œä•¨ãÚ�¬�@‘S4Šª‘µ |
10,000 |
‹{“à’¡Ž˜�]�E/•Ò |
’©“ú�V•·ŽÐ |
“ñ�d”Ÿ�@”à•Å‚É��¯ƒVƒ~�@ŠG‰æ1�EŠG‰æ2�E�‘�Õ1�E�‘�Õ2�@ŠeŠª•Ê�û‰ð�à•t‚«�@1978 |
�w“ü |
| A_022 |
Œõ—Ô•S�}�@‘S4�û‘µ |
4,500 |
’†‘ºŒk’j/‰ð�à |
Šâ�è”ü�pŽÐ |
ŠO”ŸŒ‡�@˜a–{4�û›ã“ü�@‰ð�à–{•t�@�@1981 |
�w“ü |
| A_023 |
�]ŒË‚ÌŠG‰æ�@A Kaleidoscope of Painting Styles Essays on Edo Period Paintings |
23,000 |
�¬—Ñ’‰/’˜ |
åY‰Ø�‘‰@ |
”Ÿ�‰˜�@ƒJƒ‰�[�}”Å103“_�@ŽQ�l�}”Å203“_�@584•Å�@2010 |
�w“ü |
| A_024 |
�]ŒË‚ÌŠG—ï |
3,200 |
‰ª“c–F˜N |
‘å�CŠÙ�‘“X |
ƒJƒo�[�@‘Ñ�@2006 |
�w“ü |
| A_025 |
�]ŒË‚Ì—m‰æ‰Æ |
2,600 |
�¬–ì’‰�d/’˜ |
ŽO�ÊŽÐ |
”Ÿ�ƒ„ƒP�@ŽO•û�ƒ„ƒP�@ŒÀ’è1000•”�@1968 |
�w“ü |