| No. |
¤•i–¼ |
’P‰¿(‰~) |
’˜ŽÒ/•ÒŽÒ |
o”ÅŽÐ |
à–¾ |
‚©‚²‚Ö |
| M_121 |
‰pjƒtƒBƒŠƒbƒvEƒgƒŒƒ_ƒmŽÊ^W@”j’]‚µ‚½‰ïŽÐ@yBANKRUPTz |
4,000 |
Phillip Toledano |
TWIN PALMS PUBLISHERS |
‰¡‘å”»i–ñ34.5~46cmj@ƒn[ƒhƒJƒo[@•\ކƒXƒŒAŽl‹÷ƒLƒYAƒCƒ^ƒ~—L‚è@2004 |
w“ü |
| M_122 |
‰pjƒuƒ‹[ƒXEƒMƒ‹ƒfƒ“ŽÊ^W@ƒS[@yGoz |
16,000 |
Bruce Gilden |
Trebrunk Publishing |
ƒn[ƒhƒJƒo[@”w”j‚ꉘ@88•Å@2002 |
w“ü |
| M_123 |
‰pjƒuƒ‹[ƒXEƒfƒ”ƒBƒbƒhƒ\ƒ“ŽÊ^W@ƒƒXƒAƒ“ƒWƒFƒ‹ƒX1964yBRUCE DAVIDSON LOS ANGELES 1964z |
15,000 |
Bruce Davidson^ŽÊ^ |
STEIDL |
ƒn[ƒhƒJƒo[@2015 |
w“ü |
| M_124 |
‰pjƒwƒŒƒ“EƒŒƒ”ƒBƒbƒgŽÊ^W@yCROSSTOWNz |
9,800 |
HEKEN LEVITT |
powerHouse Books |
ƒn[ƒhƒJƒo[@2001 |
w“ü |
| M_125 |
‰pjƒwƒ“ƒŠ[Eƒ‹[ƒgƒƒCƒ‰[ŽÊ^W@N.Y. ƒVƒeƒBƒoƒŒƒG’c@yBalletz |
9,000 |
Henry Leutwyler |
Steidl |
‘Ñ@ƒTƒCƒ““ü@‘æ2”Å@2015 |
w“ü |
| M_126 |
‰pjƒzƒ‹ƒXƒgŽÊ^W@ƒtƒHƒ‹ƒ€@yFORMz |
5,000 |
HORST |
twelvetrees press |
ƒJƒo[•\–ʃCƒ^ƒ~@1992 |
w“ü |
| M_127 |
‰pjƒ}[ƒNEƒŒƒ_[ŽÊ^W@yMallorca-Island in Progressz |
1,800 |
Mark Rader |
Nazraeli Press |
ƒJƒo[@2007 |
w“ü |
| M_128 |
‰pjƒ}ƒCƒPƒ‹EƒhƒEƒFƒbƒNŽÊ^W@yTHE END MONTAUK, N.Y.z |
28,000 |
MICHAEL DWECK |
Ditch Plains Press |
ƒJƒo[@‘Ñ@ƒn[ƒhƒJƒo[@ƒTƒCƒ““ü‚è@2015 |
w“ü |
| M_129 |
‰pjƒ}ƒCƒPƒ‹Eƒ}[ƒgƒ“ŽÊ^W@ƒ_[ƒNEƒ‰ƒCƒgyDark Lightz |
2,300 |
Michael Martone |
Lustrum Press |
ƒ\ƒtƒgƒJƒo[@•\ކƒ„ƒPƒVƒ~@”w‰º•”ƒCƒ^ƒ~@“VE¬Œûƒ„ƒP‰˜@1973 |
w“ü |
| M_130 |
‰pjƒ}ƒbƒgEƒ}ƒnƒŠƒ“ŽÊ^WyMATT MAHURIN PHOTOGRAPHSz |
5,000 |
@ |
TWELVETREE PRESS |
ƒJƒo[”w”–ƒ„ƒP@ŽO•û”–ƒ„ƒP@1989 |
w“ü |
| M_131 |
‰pjƒ}ƒŠ[EƒGƒŒƒ“Eƒ}[ƒNŽÊ^W@ƒ{ƒ“ƒxƒC‚Ì©•w‚½‚¿ |
5,000 |
MARY ELLEN MARK |
ALFRED A. KNOPF |
ƒ\ƒtƒgƒJƒo[@1981 |
w“ü |
| M_132 |
‰pjƒŠ[EƒtƒŠ[ƒhƒ‰ƒ“ƒ_[ŽÊ^W@yLEE FRIEDLANDER PHOTOGRAPHSz |
14,000 |
@ |
Haywire Press |
ƒn[ƒhƒJƒo[@•\ކEŽO•ûE–{•¶—]”’‚ɃVƒ~—L‚é‚à}”łɉe‹¿–³‚µ@1978 |
w“ü |
| M_133 |
‰pjƒŠƒ`ƒƒ[ƒhEƒvƒŠƒ“ƒXì•iW@yCHECK PAINTINGSz |
13,000 |
Richard Prince |
GAGOSIAN GALLERY |
“VƒVƒ~@2005 |
w“ü |
| M_134 |
‰pjƒŠƒ`ƒƒ[ƒhEƒvƒŠƒ“ƒX‰Šúì•iW@yRICHARD PRINCE EARLY PHOTOGRAPHS 1977-1979z |
0 |
Richard Prince |
SKARSTEDT FINE ART |
y”„Ø‚êzƒn[ƒhƒJƒo[@2001 |
w“ü |
| M_135 |
‰pjƒ‹ƒlEƒuƒŠŽÊ^W@77‚ÌŠï–‚ÈŠ´Šo@y77 STRANGE SENSATIONz |
5,000 |
RENE BURRI |
EDITION DINO SIMONETT |
ƒn[ƒhƒJƒo[@1998 |
w“ü |
| M_136 |
‰pjƒ[EƒAƒXƒŠƒbƒWŽÊ^W@ƒTƒNƒŠƒtƒ@ƒCƒX@ƒ†ƒA@ƒ{ƒfƒB@ySacrifice your bodyz |
3,900 |
Roe Ethridge |
MACK |
ƒn[ƒhƒJƒo[@2014 |
w“ü |
| M_137 |
‰pjƒƒo[ƒgEƒAƒ_ƒ€ƒXŽÊ^W@yInteriors 1973-1974z |
8,000 |
Robert Adams |
Nazraeli Press |
”Ÿ@24—t“ü@2006 |
w“ü |
| M_138 |
‰pjƒƒo[ƒgEƒAƒ_ƒ€ƒXŽÊ^W@ƒXƒeƒBƒ‹Eƒ‰ƒCƒ”ƒX@yRobert Adams Still Livesz |
4,000 |
@ |
Nazraeli Press |
ƒJƒo[@2006 |
w“ü |
| M_139 |
‰p)ƒƒ“EƒIƒŠƒ”ƒ@[ŽÊ^W@Œ©“n‚·ŒÀ‚è@yAS FAR AS THE EYE CAN SEEz |
32,000 |
RON OLIVER |
ICONOGRAPHY2 |
ƒJƒo[ã•”ƒ„ƒP@“Vƒ„ƒPAƒVƒ~@Œ©•Ô‚µƒVƒ~@1994 |
w“ü |
| M_140 |
‰pjˆÀŠyŽ›‚¦‚ÝŽÊ^W@yANRAKUJIz |
1,500 |
Emi Anrakuji |
Nazraeli Press |
ƒJƒo[@2006 |
w“ü |
| M_141 |
‰pj‹{–{—²ŽiŽÊ^W@yRYUJI MIYAMOTOz |
6,800 |
Ryuji Miyamoto |
STEIDL |
ƒJƒo[@1999 |
w“ü |
| M_142 |
‰pj™‰Y–MŒbŽÊ^W@ƒA[ƒeƒBƒXƒg‚ƉȊwŽÒ@yKunie Sugiura Artists and Scientistsz |
9,800 |
Kunie Sugiura |
Nazraeli Press/JGS |
ƒJƒo[@‘å”»@ƒn[ƒhƒJƒo[@2007 |
w“ü |
| M_143 |
‰pj“n•ÓŽ–¤ŽÊ^W@‰Ì•‘Šê’¬yGANGS OF KABUKICHOz |
13,000 |
WATANABE KATSUMI |
PPP Editions |
ƒrƒj[ƒ‹ƒJƒo[@2006 |
w“ü |
| M_144 |
‰pj•ŸŒ´MŽO‚ƘH‘yShinzo and Roso Fukuhara Photographys by Ginza Modern Boys 1913-1941z |
3,000 |
Noriko Fuku |
SEPIA |
ƒ\ƒtƒgƒJƒo[72•Å@2000 |
w“ü |
| M_145 |
‰p“ÆjPEƒeƒBƒŒƒbƒZƒ“ŽÊ^W@ƒS[ƒ‹ƒhyGOLDz |
2,500 |
Peter Tillessen |
Lars Muller Publishers |
ƒn[ƒhƒJƒo[@2000 |
w“ü |
| M_146 |
‰p—–jƒfƒVƒŠ[Eƒhƒ‹ƒƒ“ŽÊ^W@yDESIREE DOLRONz |
9,800 |
@ |
TERRA |
ƒJƒo[ƒXƒŒAƒCƒ^ƒ~@’Ô‚¶‚ä‚é‚Ý@2005 |
w“ü |
| M_147 |
‰œŽR—R”VŽÊ^W@As the Call, So the Echo |
3,600 |
‰œŽR—R”V |
ÔXŽÉ |
ƒn[ƒhƒJƒo[@ƒNƒƒX‘•@•Êü•t@2017 |
w“ü |
| M_148 |
‰ª‘ºº•F@•ñ“¹ŽÊ^W |
1,600 |
‰ª‘ºt•F/ŠÄC |
u’kŽÐ |
‘уJƒo[‹¤‚É”wƒ„ƒP@1986 |
w“ü |
| M_149 |
‰ª–{‘¾˜YŽÊ^W@‰ª–{‘¾˜Y‚̉«“ê |
5,600 |
‰ª–{‘¾˜Y/’˜ |
NHKoӁ |
ƒJƒo[@‘Ñ@2000 |
w“ü |
| M_150 |
‰Ô‚ª“¦‚°‚é@w“y–匂ª•`‚¢‚½‰Ô¸x |
2,900 |
@ |
ƒvƒƒWƒFEƒ_[ƒ‹ |
— •\ކƒ„ƒP@ƒŠƒ“ƒO’Ô‚¶@}”Å102“_@1991 |
w“ü |
| M_151 |
‰Ô·—F—¢ŽÊ^W@Q‹N‚«—Žq |
900 |
‰Ô·—F—¢ |
ƒƒjƒuƒbƒNƒX |
ƒJƒo[@‘Ñ@2018 |
w“ü |
| M_152 |
Š|쌹ˆê˜YŽÊ^W@‘å’n‚ɶ‚«‚é–kŠC“¹‚̉«“ꑺ |
9,000 |
Š|쌹ˆê˜Y/’˜ |
‘æˆê–@‹K |
ƒJƒo[@ŽO•ûƒ„ƒP@1980 |
w“ü |
| M_153 |
Š™êŒ |
160,000 |
×]‰pŒö/ŽÊ^@“y•û’F/•‘“¥ |
Œ»‘ãŽv‘zŽÐ |
ŠO”Ÿ‚Ƀ„ƒPAƒVƒ~AƒCƒ^ƒ~@–{‘̃vƒ‰ƒJƒo[‚É—ô‚¯@–{‘Ì”w‚ɃVƒ~@–{‘̈ꕔ’Ô‚¶ž‚ݕł̒[‚ÉÜ‚êÕ—L‚è@‰”Å@ƒXƒŠƒbƒvƒP[ƒXó‘Ô—ÇD@1969 |
w“ü |
| M_154 |
Š¥¼ŽŸ˜Y‚ƕ䊡ŽOŽõ—Y@••”‚Æ‘„ |
2,900 |
@ |
“Œ‹ž“sŽÊ^”üpŠÙ |
ƒ\ƒtƒgƒJƒo[@2014 |
w“ü |
| M_155 |
Šâ‹´’ŽŠŽÊ^W ”’“ªŽR |
3,000 |
@ |
SBB |
“ñd”Ÿ@’艿10–œ‰~@‰¡’·‘å”»@“ú–{Œê‰ðà•t‚«@1993 |
w“ü |
| M_156 |
‹GЧ@ƒNƒ‰ƒVƒbƒNƒJƒƒ‰@‘S18û‘µ |
14,000 |
“c’†’·“¿@‘¼ |
‘o—tŽÐ |
1-18Šª‘µ@1Šª•\ކ܂êÕ—L@2003 |
w“ü |
| M_157 |
‹GЧ@ŽÊ^ƒ[ƒNƒVƒ‡ƒbƒv No.7@“ÁWF—«ŽÊ^ |
12,000 |
Ó”C•ÒWFr–ØŒoˆÒ |
ŽÊ^ƒ[ƒNƒVƒ‡ƒbƒv•ÒWŽº |
ƒ\ƒtƒgƒJƒo[72•Å@— •\ކ‰º•”‚ÉŒ‡‘¹‰ÓŠ‚ ‚è@1976 |
w“ü |
| M_158 |
‹OÕ@‘å‘©Œ³‚Ì¢ŠE |
3,900 |
ŠM•—ŽÉ/•Ò |
•½–}ŽÐ |
ƒJƒo[@‘Ñ@1996 |
w“ü |
| M_159 |
‹SŠCO—YŽÊ^W@“Œ‹ž–À˜H |
5,800 |
‹SŠCO—Y |
¬ŠwŠÙ |
“›ƒP[ƒX“ü@1999 |
w“ü |
| M_160 |
‹g‘º˜a•qŽÊ^W@Du CANADA[ƒfƒ…@ƒJƒiƒ_] |
2,500 |
‹g‘º˜a•q |
“úŒoƒiƒVƒ‡ƒiƒ‹ƒWƒIƒOƒ‰ƒtƒBƒbƒN |
ƒJƒo[@‘Ñ@2019 |
w“ü |
| M_161 |
‹g‘º˜a•qŽÊ^W@KANRANSHA~ŠÏ——ŽÔ |
1,700 |
‹g‘º˜a•q |
ƒtƒHƒgƒZƒŒƒNƒgƒuƒbƒNƒX |
ƒ\ƒtƒgƒJƒo[@ƒJƒo[@‘Ñ@2015 |
w“ü |
| M_162 |
‹g“c—ºlŽÊ^W@The Absence of Two |
3,300 |
‹g“c—ºl |
ÂŒ¶ŽÉ |
‘Ñ@2018 |
w“ü |
| M_163 |
‹v‰Æ–õGŽÊ^W@‰–ƒm‰Ô/ŽO‘ |
3,800 |
‹v‰Æ–õG |
KOKUYO |
Anƒm[ƒgƒuƒbƒNƒVƒŠ[ƒY@2ûƒZƒbƒg@‘шꕔƒLƒŒA‰˜@2005 |
w“ü |
| M_164 |
‹{è‚¢‚¸”üŽÊ^W@Ž„‚ÆŽ„@Me and Me |
1,900 |
‹{è‚¢‚¸”ü |
ÂŒ¶ŽÉ |
ƒJƒo[@‘Ñ@ƒ\ƒtƒgƒJƒo[@2018 |
w“ü |
| M_165 |
‹{–{—²ŽiŽÊ^W@CARDBOARD HOUSES |
5,000 |
@ |
BEARLIN |
ƒJƒo[@2003 |
w“ü |
| M_166 |
‹{–{—²ŽiŽÊ^W@ƒAƒ“ƒR[ƒ‹ |
1,800 |
@ |
ƒgƒŒƒ”ƒBƒ‹ |
ƒJƒo[@1994 |
w“ü |
| M_167 |
‹{–{—²ŽiŽÊ^W@‹ã—´éÔ |
4,900 |
@ |
•½–}ŽÐ |
ƒJƒo[— ƒCƒ^ƒ~@1997 |
w“ü |
| M_168 |
‹Ž”‚Ó¬ŠwZ |
38,000 |
•Ÿ“cŸŽ¡ |
ŒºŒõŽÐ@ |
”ŸEƒJƒo[ƒ„ƒuƒŒA“úÄ‚¯@109•Å@“VE’nE¬ŒûƒVƒ~ 1941 |
w“ü |
| M_169 |
‹à‘ºCŽÊ^W@Happiness is a Red before Exploding |
0 |
܈ԼC |
ƒƒCƒYo”Å |
y”„Ø‚êzƒJƒo[@“VE¬Œûƒ„ƒP@ƒTƒCƒ““ü‚è@2000 |
w“ü |
| M_170 |
‹à‘ºCŽÊ^W I CAN TELL |
8,500 |
܈ԼC |
–F‰ê‘“X |
‘Ñ•t@‘æ19‰ñ“y–åŒÜ@2001 |
w“ü |